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Photo: User:Ben2, CC BY-SA 3.0 via Wikimedia Commons
The church was founded as the church of the Notre-Dame de la Vigne (Our Lady of the Vineyard) Beguinage, which was founded before 1247 outside the first Brussels city walls. Located near today's Beguinage Square, the community of beguines (lay women who lived a communal life but were not bound by perpetual vows) consisted of a small village with individual dwellings for each beguine, a mill, laundry facility, and a flower and vegetable garden, all enclosed in a wall. As part of their commune, the beguines constructed an infirmary and a small chapel dedicated to Our Lady of the Vineyard. The largest of the 3 court beguinages in Brussels, the community grew rapidly and had reached a population of 1200 beguines by the end of the 13th century. The Beguine Quarter remained an important religious stronghold throughout the Middle Ages. They spent their days weaving wool and, from the 16th century onward, also started making lace. During the Calvinist occupation of Brussels from 1577 to 1585, their Gothic chapel was destroyed, and the beguines decided to rebuild it in a Baroque style in 1657. Designed by Flemish architect Lucas Faydherbe, the church is a notable illustration of the Italian-influenced Flemish Baroque style of the 17th century. Its facade is considered to be among the most beautiful in Belgium. However, during the French occupation in 1797 the beguines were evicted and the church was closed. The beguinage was leveled, and streets were laid out for redevelopment. Only the infirmary survived, and was renovated and transformed into a hospital. The church itself was reasonably well preserved, and renovated after it was damaged by a fire in 2000. The rear tower is a Baroque interpretation of the city hall tower.
The Church of St. John the Baptist at the Béguinage, or the Béguinage Church, is a Catholic parish church in central Brussels, Belgium. It is dedicated to Saint John the Baptist.
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This is the most central UGC in Brussels. Another UGC exists in Ixelles. As far as programming goes it's the usual Hollywood and mainstream European fare you'd expect from any other UGC in Europe. UGC De Brouckère, 38 Place De Brouckère - De Brouckèreplein.
Tour Noire/Zwarte Toren
The best conserved remnant of the city's first fortifications, built in the early 13th century. When the second fortifications were built at the end of the 14th century, adapting city defenses to its growth in size, the towers original function became obsolete. Ownership was transferred to a private landlord, which allowed the tower to survive unharmed over the course of the centuries. For example, it survived the construction of a new dock in the 16th century where the St. Catherine Church is now, and was transformed into a tavern for the dock workers and sailors called "In the Tower". It was threatened by demolition in 1888 when the street was dug open for the construction of sewage pipes, but then mayor Charles Buls saved the tower with a veto and assigned architect Victor Jamaer to restore it. The gable and roof are new additions that were added during these restoration efforts. As the old city made room for new developments, the tower became increasingly isolated, first surrounded by a clothing store in the 19th century and later by a hotel. It is protected as cultural heritage since 1937, and plays an important role in popular culture, most notably the adventures of Belgian comic hero Nero by Marc Sleen.
Église Sainte-Catherine/Sint-Katelijnekerk
One of the larger Roman Catholic churches in Brussels, it was constructed between 1854 and 1874 in a wide variety of architectural styles after a design of architect Joseph Poelaert (who had gained fame with the construction of the Palace of Justice), and finished by Poelaerts apprentice Wynand Janssens. The building used to be at the end of the St. Catherine dock next to the Willebroek canal. It has overlooked the Fish Market (Vismet) since the decommissioning and dredging of the dock in 1870, with only ponds on the market square giving visitors an impression how it used to look like. The surrounding street names Baksteenkaai (Brick Wharf) and Brandhoudkaai (Firewood Wharf) are still a reminder of the industrial heritage of the quarter. Points of interest inside the church are a 14th century statue of the black Madonna and a painted wooden sculpture of Catherine of Alexandria complete with the wheel on which she was tortured.
Tour Sainte-Catherine/Sint-Katelijnetoren
The bell tower of the 15th century church preceding the current St. Catherine's Church. The church was demolished in 1893 to make room for the new and larger design, but the baroque tower dating from 1629 was preserved. It was restored between 1913 and 1930, and has been classified as a historical monument.
Atelier de Recherche et d'Action Urbaine, a Francophone Brussels heritage conservation group, runs tours of the city's architectural gems, offering a variety of theme tours to Art Nouveau buildings, Art Deco houses, the EU quarter, the Grand-Place area and the Marolles/Marollen.
Église Notre-Dame du Finistère/Onze-Lieve-Vrouw van Finisterraekerk
Iconic church in Brussels New Street, the most popular shopping district in the city. Its history dates back to the 15th century, when a small chapel dedicated to Our Lady Mary was erected near the allotments just outside the boundaries of the city, with a little exaggeration "Finis Terrae" or literally "the end of the domain". It was destroyed during the invasion of the Dutch during the Dutch War of Independence in revolt against the Spanish, but rebuilt in 1617. Under pressure of the expanding city, the chapel became too small in the 17th century and was replaced with a church in 1646, although also that one had to be enlarged 10 years later. Construction of the current church started in 1708 and finished by 1730, led by architect Willem De Buryn and sculptor Hendrik Frans Verbruggen. The church in baroque architecture is three-aisled with a nave, two side aisles and a semi-circular choir, without a transept. It hosts paintings of Gaspar de Crayer, Joseph van Severdonck, and Charles de Groux. The pulpit is a design of Simon Joseph Duray from 1758. It depicts the Fall of Man between the Tree of Life and the Tree of Knowledge of Good and Evil. Moses with the tables of the law and Aaron represent the old covenant. The crucified Christ is the new Tree of Life. Of peculiar interest is a sculpture from 1625, present in the church since 1814 but originally from Aberdeen, it is said to bring luck with gambling and exams. The organ of the church, a design from 1856 by Hippolyte Loret, was restored in 1999 by Thomas and Jean Ferrard.