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The best conserved remnant of the city's first fortifications, built in the early 13th century. When the second fortifications were built at the end of the 14th century, adapting city defenses to its growth in size, the towers original function became obsolete. Ownership was transferred to a private landlord, which allowed the tower to survive unharmed over the course of the centuries. For example, it survived the construction of a new dock in the 16th century where the St. Catherine Church is now, and was transformed into a tavern for the dock workers and sailors called "In the Tower". It was threatened by demolition in 1888 when the street was dug open for the construction of sewage pipes, but then mayor Charles Buls saved the tower with a veto and assigned architect Victor Jamaer to restore it. The gable and roof are new additions that were added during these restoration efforts. As the old city made room for new developments, the tower became increasingly isolated, first surrounded by a clothing store in the 19th century and later by a hotel. It is protected as cultural heritage since 1937, and plays an important role in popular culture, most notably the adventures of Belgian comic hero Nero by Marc Sleen.
The Black Tower is a medieval tower in central Brussels, Belgium. It is one of the best preserved remains of the first fortifications of Brussels, built at the start of the 13th century. It is notable for being a single medieval tower surrounded by modern-day buildings. This odd sight has made it a popular tourist destination.
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Église Sainte-Catherine/Sint-Katelijnekerk
One of the larger Roman Catholic churches in Brussels, it was constructed between 1854 and 1874 in a wide variety of architectural styles after a design of architect Joseph Poelaert (who had gained fame with the construction of the Palace of Justice), and finished by Poelaerts apprentice Wynand Janssens. The building used to be at the end of the St. Catherine dock next to the Willebroek canal. It has overlooked the Fish Market (Vismet) since the decommissioning and dredging of the dock in 1870, with only ponds on the market square giving visitors an impression how it used to look like. The surrounding street names Baksteenkaai (Brick Wharf) and Brandhoudkaai (Firewood Wharf) are still a reminder of the industrial heritage of the quarter. Points of interest inside the church are a 14th century statue of the black Madonna and a painted wooden sculpture of Catherine of Alexandria complete with the wheel on which she was tortured.
Tour Sainte-Catherine/Sint-Katelijnetoren
The bell tower of the 15th century church preceding the current St. Catherine's Church. The church was demolished in 1893 to make room for the new and larger design, but the baroque tower dating from 1629 was preserved. It was restored between 1913 and 1930, and has been classified as a historical monument.
This is the most central UGC in Brussels. Another UGC exists in Ixelles. As far as programming goes it's the usual Hollywood and mainstream European fare you'd expect from any other UGC in Europe. UGC De Brouckère, 38 Place De Brouckère - De Brouckèreplein.
Église Saint-Jean-Baptiste au Béguinage/Sint-Jan-Baptist ten Begijnhofkerk
The church was founded as the church of the Notre-Dame de la Vigne (Our Lady of the Vineyard) Beguinage, which was founded before 1247 outside the first Brussels city walls. Located near today's Beguinage Square, the community of beguines (lay women who lived a communal life but were not bound by perpetual vows) consisted of a small village with individual dwellings for each beguine, a mill, laundry facility, and a flower and vegetable garden, all enclosed in a wall. As part of their commune, the beguines constructed an infirmary and a small chapel dedicated to Our Lady of the Vineyard. The largest of the 3 court beguinages in Brussels, the community grew rapidly and had reached a population of 1200 beguines by the end of the 13th century. The Beguine Quarter remained an important religious stronghold throughout the Middle Ages. They spent their days weaving wool and, from the 16th century onward, also started making lace. During the Calvinist occupation of Brussels from 1577 to 1585, their Gothic chapel was destroyed, and the beguines decided to rebuild it in a Baroque style in 1657. Designed by Flemish architect Lucas Faydherbe, the church is a notable illustration of the Italian-influenced Flemish Baroque style of the 17th century. Its facade is considered to be among the most beautiful in Belgium. However, during the French occupation in 1797 the beguines were evicted and the church was closed. The beguinage was leveled, and streets were laid out for redevelopment. Only the infirmary survived, and was renovated and transformed into a hospital. The church itself was reasonably well preserved, and renovated after it was damaged by a fire in 2000. The rear tower is a Baroque interpretation of the city hall tower.
Cinema RITS
A showcase for unusual, independent and unreleased films, cult classics, extraordinary documentaries and offbeat genres from around the world. Takes place during the month of February and/or March in co-production with Cinema Nova and in collaboration with the Film Museum of the Royal Belgian Film Archive.
Halles Saint-Géry/Sint-Gorikshallen
The hall is a former covered marketplace in the middle of St. Gorik Square, and in use as event space and temporary exposition area. Their history dates back to the early days of Brussels, when at its location, multiple small islands existed in the Zenne, the river flowing through (and nowadays underneath) the city. A chapel was erected in the 12th century, which was replaced by a Gothic church in the 16th century but destroyed during the French occupation between 1798 and 1801. The city cleared the rubble in 1802 and ordered the construction of a marketplace with as central point a fountain with a pyramidal shape. This fountain dates from 1767 and was a gift form the Abbey of Grimbergen, it is on display in the hall. When the Zenne was covered in 1881 and the neighborhood reorganized, construction of the current hall was commenced. After a design of architect Adolphe Vanderheggen, the building with a facade in Flemish neorenaissance style with steel skeleton was inaugurated a year later and presented a counter and four double rows of market booths. The hall remained in use throughout the first half of the 20th century, but after the Second World War it lost its significance, until closure followed in 1977. Having architectural value, the Brussels Capital Region acquired the building in 1987 and gave it a protected status. The halls were turned into an information and exposition area in 1999, and have been opened to the public ever since. There is a café inside, but visitors do not need to feel obliged to make a purchase to visit and take a look around.