House of the General Captains

Dominican order convent at the Plaza del Adelantado, hosting the preserved body of Maria de Leon Bello y Delgado, popularly called La Siervita. The convent was founded in 1606 by alderman Juan de Cabrejas and his wife, who purchased the residence of Alonso Fernandez de Lugo in the early 17th century and converted it into the convent. In 1611 the convent was inaugurated and 4 nuns from Seville moved in, multiplying to many hundreds of nuns over the next centuries. The current church is topped with a belfry with a single nave, and high and low choirs. Noteworthy are the 2 carved wooden access doors flanked by stonework arches. The altarpiece stands out in particular, along with the ironwork that separates the inner sanctum dating from the 17th century. The large altarpiece in the main chapel is from the hand of Antonio de Orbaran and Antonio Alvarez, dating from 1665. The convent was declared a cultural monument of the Canarias in 1986, and worth a visit.

One of the central plazas in the city, named after conqueror of the island Tenerife, Alonso Fernandez de Lugo, who had his residence at this plaza in the 16th century where what is now the Convent of Santa Catalina de Siena. Until the end of the 20th century the plaza was the most important location for public events, markets, processions, bullfights, and even the execution of death sentences. For the first centuries of its existence the plaza was barren, until it was paved for the first time in 1798 and trees were added to provide shadow in 1843. The central marble fountain is the most characteristic element of the plaza, and the most aesthetic of the historical quarter. It was sculpted in Marseille where it embarked to San Cristóbal de La Laguna in 1869. The 30 ton fountain arrived by ship, and was inaugurated in 1870.

Main religious building in the city, declared a Site of Cultural Interest in 1983, and a in 1999. The current structure was built between 1904 and 1915 in the Neoclassical and Neogothic styles, on the site of an early 16th-century chapel which is believed had been built atop an earlier Guanche necropolis. Inside is the elaborate Baroque 18th-century altarpiece of the Virgin of Los Remedios (La Virgen de los Remedios), the patron saint of the city; seven painted panels have been attributed to the Flemish master Hendrick van Balen. Also noteworthy is the marble 18th-century pulpit carved by the Genoese master Pasquale Bocciardo. A visit accompanied by audio guide takes about 45 minutes.

The foundation has a permanent collection of artwork by Santa Cruz artist Cristino de Vera, and hosts temporary exhibits by other highly-regarded contemporary artists.

Society founded in the second half of the 18th century at the peak of the Enlightenment Age, with the aim of stimulating improvement in all aspects of public life and in all areas of knowledge, from social and experimental sciences to music and literature. The society is housed in a historic building with architectural contrasts between old and new.

Housed in a reportedly haunted mansion which once belonged to an Italian noble family, the museum has exhibits illustrating Canarian life from the 17th to 19th centuries. Descriptions of exhibits are only in Spanish, but there is an English commentary available for smartphones (be sure to bring a headset or earphones).