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Catedral de San Cristóbal de La Laguna
Photo: Zitumassin, CC BY-SA 4.0 via Wikimedia Commons
Main religious building in the city, declared a Site of Cultural Interest in 1983, and a in 1999. The current structure was built between 1904 and 1915 in the Neoclassical and Neogothic styles, on the site of an early 16th-century chapel which is believed had been built atop an earlier Guanche necropolis. Inside is the elaborate Baroque 18th-century altarpiece of the Virgin of Los Remedios (La Virgen de los Remedios), the patron saint of the city; seven painted panels have been attributed to the Flemish master Hendrick van Balen. Also noteworthy is the marble 18th-century pulpit carved by the Genoese master Pasquale Bocciardo. A visit accompanied by audio guide takes about 45 minutes.
The Cathedral of San Cristóbal de La Laguna or Catedral de Nuestra Señora de los Remedios is a Catholic church in Tenerife, Spain. Constructed between 1904 and 1915 to replace an earlier building begun in 1515 and designated a cathedral in 1818, it is dedicated to the Virgin of Los Remedios. The cathedral is the mother church of the diocese, which includes the islands of Tenerife, La Palma, La Gomera and El Hierro in the province of Santa Cruz de Tenerife. It is therefore where the episcopal seat of the bishop of this diocese, currently occupied by Bishop Eloy Alberto Santiago. This is one of the most important churches of the Canary Islands.
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Real Sociedad Económica de Amigos del País de Tenerife
Society founded in the second half of the 18th century at the peak of the Enlightenment Age, with the aim of stimulating improvement in all aspects of public life and in all areas of knowledge, from social and experimental sciences to music and literature. The society is housed in a historic building with architectural contrasts between old and new.
A Baroque palace, and one of the most outstanding examples of Canarian architecture that combines Mannerist and Neoclassical elements. The palace is the seat of the Dioscese of Nivariense. Construction started around 1829 by Cristóbal Salazar de Frías, and completed by his son around 1687 who becamse the first Count of Marqués de Estremiana. Bishop Ramón Torrijos y Gómez purchased the estate in 1891 and turned it into its current function of diocese. The palace is a cultural monument since 1982, and part of the historic centre that was declared a in 1999. The building was completely destroyed by a fire in 2006, leaving only the facade intact. The ruins underwent restoration and reconstruction following a crowdfunding campaign, and the palace was reopened to the public in 2009. The palace has 2 floors, in which the facade stands out with its central finish and gargoyle figure decorations.
Museo de Historia y Antropología de Tenerife
Housed in a reportedly haunted mansion which once belonged to an Italian noble family, the museum has exhibits illustrating Canarian life from the 17th to 19th centuries. Descriptions of exhibits are only in Spanish, but there is an English commentary available for smartphones (be sure to bring a headset or earphones).
Biblioteca Municipal Adrian Aleman de Armas
Public library in a historic building, named after Adrián Alemán de Armas (1935 - 2008), a journalist, doctor in geography, and history and Spanish professor. This beautifully restored building is a prime example of historic architecture repurposed for modern needs. The library has free wi-fi access and power sockets. The garden has benches under lime trees providing shadow, making it a great place to rest.
Iglesia y Hospital de Nuestra Señora de los Dolores
Church between the former Convent of St. Agustin and the Casa Salazar, occupied by the bishopric of Tenerife. It was the first permanent hospital in the city, dating back to the 16th century, whereas the church itself was only added in the 18th century. Pope Leo X authorized its construction in 1514, co-housing the Confraternity of Mercy, which soon relocated to the Church of Santo Domingo de Guzmán. The church has a single rectangular nave and presbytery, and houses important artistic works from the 17th and 18th century, most of which were from the hands of Cristóbal Hernández de Quintana and Antonio Estévez. The gilded wooden altarpiece sands out, with a sculpture of the Virgin Mary.
Casa Saavedra y Martínez-Barona
The foundation has a permanent collection of artwork by Santa Cruz artist Cristino de Vera, and hosts temporary exhibits by other highly-regarded contemporary artists.