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Bảo Tàng Mỹ Thuật
Only party-approved art is shown here with information in English and Vietnamese. On three floors of a colonial building, with another three galleries in the west wing. Pieces include soldiers on boats depicted on prehistoric bronze drums, Buddhist art, and revolutionary art of the 20th century wars. Also some interesting lacquer and silk paintings.
The city down south may have his name, but only Hanoi has the man himself, entombed in distinctly Lenin-esque fashion. Against his wishes, but that's how it goes. No talking, revealing clothing (shorts should be knee length and no exposed shoulders), or other signs of disrespect allowed while viewing; photos are allowed only from outside, in the grand Ba Dinh Square. Purses are allowed into the tomb, but expect them to be searched by several bored soldiers along the way. Left luggage is handled in a complicated scheme: there is an office near the street for large bags, with separate windows for Vietnamese and foreigners, and a further office for cameras, which will be transported to a third office right outside the exit of the mausoleum. Items checked in at the first office, however, will stay there. The mausoleum is closed for a couple months around the end of the year, when the body is taken abroad for maintenance. It is closed in the afternoons for maintenance.
This gleaming white museum and its gloriously ham-handed iconography is the perfect chaser to the solemnity of the mausoleum. The building, completed in 1990, is intended to evoke a white lotus. Some photos and old letters are on display on the second floor, but the main exhibition space is on the third floor. It includes cars crashing through walls to represent the chaos of post-war American capitalism, soldiers charging around with bombs that looked like electric plugs, a cave hideout re-imagined as the inside of Ho Chi Minh's brain, and several other postmodern confections integrated with the detailed main story of the man's life and his country's struggle. There are plenty of photographs, prison documents and newspaper cuttings tracing his life along the way. The tour ends with a burnt bridge signifying the separation of Vietnam, followed by a reconstructed bridge showing the unification of Vietnam after the war. One of the more informative museums in Vietnam. Free guides are available in English, French, Chinese and Russian. The displays are labelled in English and French.
The exit from the mausoleum takes you right into the grounds of the, uh, vestige, where Ho Chi Minh lived and worked from 1954 until his death in 1969. The nicely landscaped complex includes Ho Chi Minh's two homes (one a small one-story house, the other a traditional stilt house), kept shiny and "as he left them" by the authorities, as well as a garage with two of Ho's presidential cars and a carp-filled pond. You also get to see Ho Chi Minh's work room and Politburo meeting room. The Presidential Palace is nearby, but it's not open to visitors. Pamphlets are available in English, Chinese, French and Korean. Guided tours are usually available if you wait.
Bảo tàng Cách mạng Việt Nam
Actually two museums: one covers Vietnam from prehistoric times to 1945 and the other covers 1945 to present. This museum gives a very informed and detailed account of the Vietnamese struggle against first the French (starting in 1858—on the first floor), then against the US, ending on 30 Apr 1975 (on the ground floor). It is housed in a colonial French building which was completed in 1932. The building, designed by the architect Ernest Hébrard is considered as a successful blend between the colonial French architecture and traditional Vietnamese architecture, called Indochina architecture. He created double-walls and balconies for a natural ventilation system and protection from sunshine.
Bảo Tàng Phụ nữ Việt Nam
This often overlooked museum has benefited from an extensive renovation of its permanent exhibitions. The modernised interior is well laid out with information in Vietnamese, English and French, and contains a huge amount of information on the fearsome female heroines of Vietnamese history. There are also exhibitions on the rituals and traditions surrounding women in family, as well as a beautifully presented collection of intricate hand-made ethnic costumes. A highlight is the regularly updated special exhibitions on a diverse range of subjects, from contemporary issues such as single mothers and street vendors to traditional medicine and Mother Goddess worship. English language tours are available on request.