Fine Arts Museum

The Temple was founded in 1070 and became the country's first university six years later. The overall design is somewhat similar to the "original" Confucian Temple in Qufu, with 5 courtyards. Most of the architecture is named with titles indicating reverence to literature and language. The showpiece of the complex is the third courtyard with eighty-odd stone tablets, each mounted on the back of a tortoise (known as bixi in Chinese), inscribed with the names of graduates. Another courtyard is full of gift shops, which also sell stamps, coins, and books. A reduced-size replica of the famous giant softshell turtle (the original being at the Ngoc Son Temple at the Lake of the Returned Sword) can be seen in one of the pavilions as well; it was made by Vietnamese artisans out of ceramic, and gold-plated. The fourth courtyard contains a temple and statues devoted to Confucius and his four disciples. Chinese history buffs should look out for the 萬世師表 plaque, which was presented to the temple by Emperor Kangxi of China in 1693. The fifth and last courtyard, which was destroyed by the French in 1946 and rebuilt in 2000, contains a mini-museum showcasing information on Emperor Lý Thánh Tông and his successors who built and renovated the temple. You may find a Vietnamese band playing local instrumental music in front of this museum. There are explanatory wall-hangings in English and French all along the way, and you don't need a guide.

You can always feel the diversity and liveliness of Hanoi here. In the morning, there are low-energy aerobics class for elders and aerobics class for the young. During the day, one can enjoy the tranquility in the park since everybody is either at work or in school. In the afternoon, it becomes a playground for children, students, soccer teams, and badminton players.

Because of stupid tourists posing for selfies in front of oncoming trains, there are now police posted at the entrance to order people away. Cafe owners can bring you in through passageways nearby, however, so wander around to look for an invitation. Trains pass around 15:00 and 19:00 daily.

Visitors find this either charming and lovely or utterly pointless, depending on how many tour groups are crammed into the small grounds at the time of their visit. It has a long history attached to it. Regarded as one of Vietnam's iconic temples, it was built by Emperor Lý Thái Tông. The emperor was childless and dreamt that he met the bodhisattva Avalokiteshvara, who handed him a baby son while seated on a lotus flower. He then married a peasant girl that he had met and she bore him a son. The emperor constructed the temple in gratitude for this in 1049 having been told by a monk to build the temple, by erecting a pillar in the middle of a lotus pond, similar to the one he saw in the dream. Before the pagoda was opened, prayers were held for the longevity of the monarch. The temple is built of wood on a single stone pillar 1.25 m in diameter, and it is designed to resemble a lotus blossom, which is a Buddhist symbol of purity, since a lotus blossoms in a muddy pond. In 1954, the French Union forces destroyed the pagoda before withdrawing from Vietnam after the First Indochina War, it was rebuilt afterwards.

The city down south may have his name, but only Hanoi has the man himself, entombed in distinctly Lenin-esque fashion. Against his wishes, but that's how it goes. No talking, revealing clothing (shorts should be knee length and no exposed shoulders), or other signs of disrespect allowed while viewing; photos are allowed only from outside, in the grand Ba Dinh Square. Purses are allowed into the tomb, but expect them to be searched by several bored soldiers along the way. Left luggage is handled in a complicated scheme: there is an office near the street for large bags, with separate windows for Vietnamese and foreigners, and a further office for cameras, which will be transported to a third office right outside the exit of the mausoleum. Items checked in at the first office, however, will stay there. The mausoleum is closed for a couple months around the end of the year, when the body is taken abroad for maintenance. It is closed in the afternoons for maintenance.

This gleaming white museum and its gloriously ham-handed iconography is the perfect chaser to the solemnity of the mausoleum. The building, completed in 1990, is intended to evoke a white lotus. Some photos and old letters are on display on the second floor, but the main exhibition space is on the third floor. It includes cars crashing through walls to represent the chaos of post-war American capitalism, soldiers charging around with bombs that looked like electric plugs, a cave hideout re-imagined as the inside of Ho Chi Minh's brain, and several other postmodern confections integrated with the detailed main story of the man's life and his country's struggle. There are plenty of photographs, prison documents and newspaper cuttings tracing his life along the way. The tour ends with a burnt bridge signifying the separation of Vietnam, followed by a reconstructed bridge showing the unification of Vietnam after the war. One of the more informative museums in Vietnam. Free guides are available in English, French, Chinese and Russian. The displays are labelled in English and French.