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The museum is holding various exhibition.
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화성행궁
It was a temporary place where King Jeongjo stayed when he visited the tomb. It used to be used as a place where the vice-president or Yoo Soo used to work. It was built on the eastern foot of Paldalsan Mountain in 1789 (the 13th year of King Jeongjo's reign) after the construction of a new town in Suwon. It has 567 square cars, the largest size of Korean royal palaces. Japanese occupation, however, nangnamheon Japanese national culture and history of every facility excluding the extermination policy were destroyed. In the late 1980s, as a result of steady and active restoration campaigns by meaningful local citizens, the restoration project began in 1996, the 200th anniversary of Hwaseong Fortress, and the first stage of restoration was completed with 482 compartments and opened to the public in October 2003. In October 1789, King Jeongjo traveled to Hwaseong 13 times in 12 years until January 1800 (the 24th year of King Jeongjo's reign) after moving Hyeonreungwon, the tomb of his father's apostolic, and stayed there every time. It was designated as Gyeonggi-do Monument No. 65 and was elevated to a private level on June 8, 2007. Every Tuesday through Sunday, the 24-hour martial arts demonstration is held from 11:00 to 30 minutes.
조선경국전
Jeong Do-jeon completed the writing in March 1394 (the 3rd year of King Taejo's reign) and presented it to King Taejo in May of that year. It consists of two volumes. It comprehensively describes the standards for governing the Joseon Dynasty according to the Six Classics. The Six-Chapter System of the Zhou Dynasty's 『Book of Rites』 was modeled after this, but was adjusted to fit the realities of Joseon. Before the Six-Chapter System, the outline of the national governance was introduced, including the Jeongbowi (正寶位), Gukho (國號), Jeonggukbon (定國本), Segye (系), and Gyoseo (敎書).
화령전
Hwaryeongjeon Hall is a shrine that houses the portrait of King Jeongjo built inside Hwaseong. On June 28, 1800, King Jeongjo ascended as a 46-year-old diary and at first, he had his portrait taken to the tomb of the Apostolic at Bongangak, Hyeonreungwon, but after the completion of the Hwaseong Haenggung Palace, he moved it to Haenggung. However, Haenggung was not built as a place to serve the portrait, so in 1801, Hwaryeongjeon Hall, which will house the portrait, was constructed next to the palace.
행궁동 벽화마을
In 2013, the city of Suwon restored the old residential area by painting murals as part of a project to create an ecological city. It is a fun place to find more vivid and rich murals through the participation of artists and to leave unique photos. Guides are available free of charge from an alley commentator on a team of 5 to 15. It takes about an hour to take the course of Hwaseong Haenggung Palace - Sinpungcho Wall Rock Gallery - Hwaryeongjeon - Naheseok Sangga Site Alley - Eco-traffic Village - Mural Alley - Ssamji Park - Suwon Traditional Culture Center - Janganmun - Hwaseomun - Hwaseong Haenggung Palace.
수원 창성사지 진각국사탑비
The monument was created in the 12th year of King Wu of Goryeo (1386) as it chronicles the life and achievements of Chen Hui, the Jin Gak Guksa Temple who entered Changseong Temple. Chun-hee entered the Buddhist world at the age of 13. The 57-year-old decided to study in China at a late age and returned from studying Zen Buddhism in the Yuan Dynasty for two years from 1364. Originally, the pagoda was located at the Cheongseongsa Temple site at the foot of Gwangyosan Mountain, but was relocated to the side of the fire hydrant at Suwon Hwaseong Fortress on June 9, 1965 and a protective pavilion was installed.
팔달문
It was designated as Treasure No. 402 on September 3, 1964. It was built in 1794 (the 18th year of King Jeongjo's reign) and has five squares on the front and two squares on the side of the gate and a medium-class right-winged roof. On the Hongye-mun Gate of the stone pillars, a middle-class structure was built with four sides of the gate, a half-moon shape, and a traditional Korean structure was built. Inside the gate, a single row of garlands was placed in the center, and all the upper and lower masses were connected to them. The upper and lower layers of fear are internal and external osmosis trees, and the inner layers are all decorated with door-to-door ornaments.