Independence Park

The building of the former “Hotel Union” was built in 1927 under the supervision of the Austrian architect, Andrija Kremer. It combined elements of neo-Renaissance, neo-baroque and Art Nouveau and was one of the few buildings in Pristina with European-architecture influence. During the first few decades of its existence, it was named “Hotel Skënderbeu” after the 15th-century Albanian resistance leader, Skanderbeg and this was witnessed by his ingrained icons on the building. As of May 2025, Hotel Union is transformed in a shopping center.

It used to be called "The Regional Populist Theatre" then the "Provincial Populist Theatre". The repertoire of this theater was built on many national, international and former Yugoslavian dramatic scripts. This theatre performances, which were presented in different festivals with national and international character in the former Yugoslavia, were praised highly by critics of the time and were honoured with various artistic awards. As of May 2025, the National Theatre of Kosovo is undergoing renovation. In the meantime, performances are being held at the amphitheater of the Palace of Youth and Sports.

This is a marble fountain between the Carshi Mosque and the Museum of Kosovo and is a typical component of Ottoman architecture. The fountain is the only one remaining in the city from over fifty that once existed. In addition to providing a source of drinkable water, Shadërvan has been traditionally used for ritual ablution.

Closed for renovation since September 2024, this museum has a rich collection of prehistoric objects uncovered in Kosovo – most of them were spirited off to Serbia during the Kosovo war - and hundreds of archaeological finds and ethnographic items, some of which have yet to be returned. Goddess on the Throne is a symbol of Pristina and a must see.

It was designed by the Serbian sculptor Miodrag Zirkovic in 1957 and built in 1959. The Brotherhood and Unity monument was constructed during a time of major changes in the capital of Kosovo. The Yugoslav authorities brought a new spirit of socialist realism, which was also manifested through architecture.