Palazzo Iatrini

Known by the Militellesi simply as the Angel, it was built in 1639 on the initiative of some priests of the city, zealous in works of charity, on the site where a church dedicated to the Archangel Michael had already stood since the 13th century. The old hospital run by the Compagnia dei Bianchi was annexed to the latter (hospital perhaps was built by the Knights Templar). After the hospital was transferred to another place and the Company ceased to take care of the church, in 1657 it became the seat of the new Congregation of Maria Santissima degli Agonizzanti, still active, which had the purpose of offering comfort to the dying and a worthy burial to the needy. Restored following the 1693 earthquake, the building has valuable rococo style stuccos and a splendid Caltagirone ceramic floor from 1768 (in 2000 some majolica tiles from the floor were stolen). The church also has two canvases depicting the Archangels Michael and Raphael and a positive organ from the early 18th century, now transferred to Santa Maria della Stella for safety reasons.

Of medieval foundation, the Benedictine convent complex of San Giovanni Battista was gifted around 1470 by Countess Eleonora Speciale, widow of Baron Blasco II Barresi di Militello, daughter of the Viceroy of Sicily Niccolò Speciale and Beatrice Landolina who retired here in later years of his life. Damaged by the earthquake of 1693 and subsequently restored, it still retains some of the original structures, such as a beautiful Renaissance-style portal. Like all the other monasteries in Sicily, it suffered the effects of the subversive laws of 1866 which transferred ownership of the building to the Italian state. Subsequently the monastery was sold to private individuals who obtained homes from it, while the church was redeemed and transferred to the Parish of Santa Maria della Stella. The single nave is embellished with a beautiful eighteenth-century floor in Calatina majolica with a serial design and has a total of three altars, in addition to the nuns' choir in the choir loft. In the high altar there is an eighteenth-century statue of St. John the Baptist, once protected by a canvas depicting the Baptism of Jesus in the Jordan (now in Santa Maria della Stella). The other two altars instead exhibited two beautiful canvases by Alessandro Comparetto depicting respectively the Nativity of San Giovanni (1631) and the Beheading of San Giovanni (1634). For safety reasons, the canvases, together with other sacred furnishings (including a 15th-century pyx and a frontal in gold thread), are now kept in the Treasury of Santa Maria della Stella.

Mentioned for the first time in 1504, it was the seat of the homonymous brotherhood perhaps connected to the Order of Malta (as can be deduced from a sign on the facade). In 1572 it became a destination for devotees and pilgrims who acclaimed San Sebastiano martyr co-patron of Militello, for having freed the city from the scourge of the plague. Destroyed by the earthquake of 1693, it was rebuilt in 1702 incorporating the portal of the 16th-century church into the façade. It has three altars in all and the main altar contains the statue of San Sebastiano with wooden ferrule, framed by a magnificent carved stone chapel in Baroque style from 1708. Other furnishings, vestments and sacred furnishings, including the silver reliquary of San Sebastiano, are exhibited in the Treasury of Santa Maria della Stella.

Rare testimony of 16th-century civil construction, the enormous building was commissioned by the Barresi family as the seat of the jury court and the capital court (the two main administrative bodies of the city). Although remodeled in later periods, and owned several times (including the Majorana-Cocuzzella barons of Nicchiara), it has the original ashlar cantonals, enriched by severe stone lions from the Middle Ages recovered from older buildings.

It dates back to the 17th-18th centuries. It has an elegant carved window, in Mannerist style, on whose tympanum there is a marble heraldic coat of arms. It first belonged to the Calatina family of the Interlandi princes of Bellaprima (the parish priest of San Nicola don Lorenzo Interlandi lived there), in the first half of the 18th century it passed to the illustrious Tinnirello family from Militello who lived there until 1921, hosting the ground floor homonymous pharmacy, and finally to the Oliva family.

The Dominican friars arrived in Militello in 1536, at the behest of the Barresi, and here they settled at the Annunziata church outside the city, remaining there until the early 1600s. Subsequently, Prince Francesco Branciforte, to facilitate control over the population by the Holy Inquisition, wanted to transfer the seat of the Dominicans to the city, and had them build the new church and the new convent which were inaugurated in 1613. Damaged by the earthquake of 1693, both were soon redone. The church that can be seen today, one of the largest in Militello, is characterized by a large classical façade, with a spire-shaped tympanum, and a hall-like interior, decorated with stuccos, with a deep presbytery. Inside it housed six stone chapels with carvings, among which the one of the Madonna del Rosario stood out with a canvas by Mario Minniti from 1620 (now lost). Although the convent and the church suffered the effects of the suppression of 1866, the latter continued to function until the mid-1900s, when it was now unsafe and finally stripped of all its furnishings and abandoned (some surviving works are in Santa Maria della Stella and in San Benedetto). The premises of the convent instead housed a kindergarten (Asilo Laganà Campisi), schools and private homes. Fortunately, the entire complex was recovered and enhanced in the early 2000s. The church is now used as a Municipal Auditorium, while the former convent houses a conference room, the "Angelo Majorana" Municipal Library, the Civic Museum, the Historical Archive and the Civic Art Gallery "