Palazzo Majorana della Nicchiara

The Dominican friars arrived in Militello in 1536, at the behest of the Barresi, and here they settled at the Annunziata church outside the city, remaining there until the early 1600s. Subsequently, Prince Francesco Branciforte, to facilitate control over the population by the Holy Inquisition, wanted to transfer the seat of the Dominicans to the city, and had them build the new church and the new convent which were inaugurated in 1613. Damaged by the earthquake of 1693, both were soon redone. The church that can be seen today, one of the largest in Militello, is characterized by a large classical façade, with a spire-shaped tympanum, and a hall-like interior, decorated with stuccos, with a deep presbytery. Inside it housed six stone chapels with carvings, among which the one of the Madonna del Rosario stood out with a canvas by Mario Minniti from 1620 (now lost). Although the convent and the church suffered the effects of the suppression of 1866, the latter continued to function until the mid-1900s, when it was now unsafe and finally stripped of all its furnishings and abandoned (some surviving works are in Santa Maria della Stella and in San Benedetto). The premises of the convent instead housed a kindergarten (Asilo Laganà Campisi), schools and private homes. Fortunately, the entire complex was recovered and enhanced in the early 2000s. The church is now used as a Municipal Auditorium, while the former convent houses a conference room, the "Angelo Majorana" Municipal Library, the Civic Museum, the Historical Archive and the Civic Art Gallery "

It dates back to the 17th-18th centuries. It has an elegant carved window, in Mannerist style, on whose tympanum there is a marble heraldic coat of arms. It first belonged to the Calatina family of the Interlandi princes of Bellaprima (the parish priest of San Nicola don Lorenzo Interlandi lived there), in the first half of the 18th century it passed to the illustrious Tinnirello family from Militello who lived there until 1921, hosting the ground floor homonymous pharmacy, and finally to the Oliva family.

Votive church built in the second decade of the 18th century, based on a project by the Militellese architect Don Antonino Scirè Giarro, it was intended for the perpetual exposition of the Blessed Sacrament. It has a singular carved Baroque facade with a concave Borrominian profile, surmounted by a bell loggia with a three-light fan profile. Inside, decorated with elegant stuccoes in the late Baroque style, it preserves the valuable statue with its fercolo of Sant'Antonio Abate in the chair of 1575, the work of the Bivonese sculptor Antonio De Mauro, coming from the church of S. Antonio Abate. Of particular interest is the predella of the statue of the saint with scenes from his life depicted in relief. A tombstone from 1724 (today exhibited in the Treasury of S. Maria della Stella) remembers the spouses Alfio Palermo and Fortunata of the barons Lamia, benefactors of the church, buried here. The church also has two interesting frescoes, on the pillars of the large chapel of the presbytery, depicting the coat of arms of the Bourbons of Naples and Sicily in the two different elaborations, of Charles III and Ferdinand III of Sicily.

Its construction was completed in 1771, and has six balconies with late Baroque frames and corbels. Wanted by Baron Reforgiato of Linziti, it later passed to the Costantino family and then to the Iatrini. It was used until the 1960s as the seat of the Tax Agency and then as a religious house. Today it is owned by the parish of S. Maria della Stella.

It was built in the 18th century and occupies an entire block. It has six balconies with rich masked corbels and festoons in the pilasters. It is enriched by a luxuriant garden which is now surrounded by a wall. It belonged to the noble Caruso family, whose main branch died out at the end of the 18th century, with the baron Don Antonino Caruso who died childless; while the secondary branch in the early years of the 19th century, with Donna Marianna Caruso-Scuderi, married to Antonino Malgioglio and Cardaci di Ramacca.

Mentioned for the first time in 1504, it was the seat of the homonymous brotherhood perhaps connected to the Order of Malta (as can be deduced from a sign on the facade). In 1572 it became a destination for devotees and pilgrims who acclaimed San Sebastiano martyr co-patron of Militello, for having freed the city from the scourge of the plague. Destroyed by the earthquake of 1693, it was rebuilt in 1702 incorporating the portal of the 16th-century church into the façade. It has three altars in all and the main altar contains the statue of San Sebastiano with wooden ferrule, framed by a magnificent carved stone chapel in Baroque style from 1708. Other furnishings, vestments and sacred furnishings, including the silver reliquary of San Sebastiano, are exhibited in the Treasury of Santa Maria della Stella.