Historic tram depot (Historisches-Straßenbahndepot)

Soon after they came to power in 1933 the Nazis chose Nuremberg as the place for their annual party rallies. They planned a set of gigantic buildings here, few of which were built. Start at the Documentation Centre for the story of how the Nazis rose to power, their grasp of modern media and propaganda techniques, the organisation of the party rallies and wider mass agitation, and the connections between that and their crimes against minorities and plunge into World War 2. The Documentation Centre is in the north wing of the Congress Hall (Kongresshalle), one of the few planned constructions that did get built.
Although the rally grounds cover a wide area, there's little else to see here other than the reviewing stand at the Zeppelin field. The "Große Straße" which was the spine of the rally grounds is now just a modern road. Note you can also get here on S-2 to Dutzendteich; other S-bahn trains run through this station but don't stop.

Hosts changing art exhibitions. Entry is free on Wednesdays, 18:00–20:00.

The ground floor is the ethnology collection: masks from the South Seas, Costa Rican culture, a Berber tent from Morocco, and strange garb of the Nivchi, a Siberian people. The upper floor covers geology, prehistory and archaeology.

The biggest multiplex cinema in Germany. 18 movie theaters, one IMAX theater, one "motion action drive" cinema, three restaurants, twelve bars and five outside terraces with view on the historic town.

Within Old Town but in a striking modern building, the museum shows art and design from 1945 to today.

Mostly built in the 15th century and now part of the Evangelical or Lutheran church of Germany, Lorenzkirche forms the focus of the south-side old town. It's dominated within by the 18m tall Tabernacle, a Gothic spire made circa 1493 by Adam Kraft, with himself as one of three figures holding it up. (Find more of his work across the river in St Sebaldus, in the Germanische Nationalmuseum, and in Ulm.) Note also the stained glass windows, and Veit Stoss' "Annunciation" (Engelsgruss) suspended high over the altar.