La Samaritaine

This Gothic church functioned until the 19th century as the parish church of the kings of France. In this role, the church has sometimes played a gruesome part in history. Its bell called 'Marie' sounded on the night of 23 August 1572, to launch the St. Bartholomew's Day Massacre, in which thousands of Huguenots were killed by Catholic mobs. Nowadays, the church is peaceful and an active parish church for commoners (the monarchy having long since given way to the Republic), and well worth visiting.

The ancient medieval fortress and prison of the city's island, site of some remarkable medieval royal architecture and the scene of Marie Antoinette's imprisonment in the period leading to her execution in 1793; lots of revolutionary associations.

Since 2021 the 18th-century former Bourse de Commerce building has been the Paris home of the art collection of the French business magnate François Pinault, showing a rotating selection of contemporary artworks either newly commissioned or taken from his collection.

Soaring stained glass windows beaming ample light onto the rich primary colours of the tile mosaics on the floor, this photogenic church was built by the French kings to house the relics of the Crown of Thorns. Make sure you go on a sunny day, as the highlight of this small chapel in Rayonnante Gothic style are the large stained-glass windows which soar up to near the vaulted ceiling. Also of interest is the extremely ornate lower level. If it happens to be rainy or cloudy, give Sainte-Chapelle a miss, as the play of coloured lights on the floor is well worth the wait for a sunnier day. As the chapelle is inside the Courts of Justice, there will thus be a security check. Note: you may have to book a week in advance.

The Fondation Cartier's new Paris premises, which are in a Haussmannian building dating from 1855 at number 2 Place du Palais-Royal, have been completely remodelled by architect Jean Nouvel. Check website for details of exhibitions.

Its exhibits come from such diverse origins as ancient Egypt, classical Greece and the Roman Empire, medieval Europe, and Napoleonic France, but controversially including many items that were looted from their places of origin. Its most famous exhibit, of course, is Leonardo da Vinci's painting of the Mona Lisa (French: La Joconde, Italian: La Gioconda), generally to be found surrounded by hordes of camera-flashing tourists. The Louvre poses many of the same challenges to the visitor as Paris itself; overwhelming in size, crowded in high seasons, and much information available only in French. If you want to see everything in the Louvre, plan at least two full days. However, it is better to pick and choose, as the collection was assembled with an eye to completeness rather than quality. As of July 2019, due to intense crowding and reports of ticket fraud, entry now almost always requires a pre-booked timed ticket, even for holders of the Paris Museum Pass.