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Fondation Cartier pour l’art contemporain
The Fondation Cartier's new Paris premises, which are in a Haussmannian building dating from 1855 at number 2 Place du Palais-Royal, have been completely remodelled by architect Jean Nouvel. Check website for details of exhibitions.
The Fondation Cartier pour l'Art Contemporain, known simply as the Fondation Cartier, is a contemporary art museum at 2 place du Palais-Royal in the 1st arrondissement of Paris, France. It was located at 261 Boulevard Raspail in the 14th arrondissement of Paris until 2025, when it relocated to the Palais-Royal area, reopening to the public on 25 October 2025.
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Ordered by Cardinal de Richelieu (1585-1642), King Louis XIII's prime Minister in 1629 (completed in 1636); originally called Palais Cardinal; it became Le Palais Royal when Anne d'Autriche, Louis XIII's wife, came to live here to get away from the Louvre palace. It eventually housed Louis XIV until the move to Versailles. It includes also a beautiful garden Les jardins du Palais Royal, enclosed by the buildings. It's been the theatre of one of the seminal events of the French Revolution (Camille Desmoulins made a famous declaration here in 1789). The Théatre Français nearby was built in 1716. There are numerous restaurants inside the garden, including famous Le Grand Véfour. There's also the controversial Colonnes de Buren, striped columns installed within the inside yard amid the 17th century architecture.
Théâtre-Français, La maison de Molière
The theatre is one of the rare state theatres in France. The company's primary venue is the Salle Richelieu. It was enlarged and modified in the 1800s, then rebuilt in 1900 after a severe fire. The played repertoires sum to around 3,000 works.
Its exhibits come from such diverse origins as ancient Egypt, classical Greece and the Roman Empire, medieval Europe, and Napoleonic France, but controversially including many items that were looted from their places of origin. Its most famous exhibit, of course, is Leonardo da Vinci's painting of the Mona Lisa (French: La Joconde, Italian: La Gioconda), generally to be found surrounded by hordes of camera-flashing tourists. The Louvre poses many of the same challenges to the visitor as Paris itself; overwhelming in size, crowded in high seasons, and much information available only in French. If you want to see everything in the Louvre, plan at least two full days. However, it is better to pick and choose, as the collection was assembled with an eye to completeness rather than quality. As of July 2019, due to intense crowding and reports of ticket fraud, entry now almost always requires a pre-booked timed ticket, even for holders of the Paris Museum Pass.
A monument to the French art de vivre, housed in a 19th-century wing of the Louvre that has been restored to beaux-arts splendour, its galleries and period rooms showcase eight centuries of Gallic taste in interior decoration.
Commodities Exchange Building
Since 2021 the 18th-century former Bourse de Commerce building has been the Paris home of the art collection of the French business magnate François Pinault, showing a rotating selection of contemporary artworks either newly commissioned or taken from his collection.
This Gothic church functioned until the 19th century as the parish church of the kings of France. In this role, the church has sometimes played a gruesome part in history. Its bell called 'Marie' sounded on the night of 23 August 1572, to launch the St. Bartholomew's Day Massacre, in which thousands of Huguenots were killed by Catholic mobs. Nowadays, the church is peaceful and an active parish church for commoners (the monarchy having long since given way to the Republic), and well worth visiting.