//
The Gallery showcases the permanent collection of acclaimed Haida artist Bill Reid (1920–1998) and changing exhibitions of contemporary Northwest Coast Art. Gallery highlights include over 40 pieces of Bill Reid’s gold and silver jewelry, Reid’s bronze masterpiece Mythic Messengers, several of Reid’s works that were featured on the Canadian $20 bill and a full-scale totem pole, carved by James Hart of Haida Gwaii.
© OpenStreetMap contributors
Vancouver's oldest surviving church was completed in 1889. Often in the shadow of its neighbour, the 23-storey Cathedral Place, you should visit in the afternoon to see the sun shining through the stained glass windows.
The third such hotel in this spot, the Hotel Vancouver was built over 11 years and completed in 1939. As with all Canadian Pacific hotels in Canada, the chateau-style is truly impressive. It was the tallest building in Vancouver until 1972. The hotel's first guests were King George and Queen Elizabeth. Bring binoculars for a close-up view of the building's many gargoyles.
You can see and learn a lot about Emily Carr in the permanent collection, but the rest of the gallery varies in quality depending on what they have been able to attract as special exhibits. Take advantage of admission by donation on Tuesday (5-9PM) and sample what is there before paying the full admission.
Both an office building and public space designed by Vancouver architect Arthur Erikson, it houses the Provincial Courts and a satellite UBC campus. The building, which was built to represent a skyscraper on its side, is noted for its use of water and greenery and is mostly underground. The public space features a skating rink underneath Robson Street, which is the only outdoor rink in Vancouver.
This 22-storey Art Deco office tower was completed in 1930. Because of the Great Depression, only four floors were occupied for the first several years. Note the attention to detail on both the exterior, and in the lobby.
Glass office building with a distinct outside that contains 4 storey gardens.