Symbol of the cultural change in Curitiba in the 1970s, it inaugurated the process of recycling the use of buildings which are valuable for the city's collective memory. Built in 1906, the old gunpowder barn was restored and recycled in the 1970s, becoming an arena theater. Its inauguration on December 27, 1971, was baptized by the poet Vinícius de Moraes, with whisky and a song specially composed for the occasion, "Paiol de Pólvora". In the inauguration show, besides the "poetinha", Toquinho and Marília Medalha also took part.
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Curitiba's trademark, created to resemble French gardens, rolls out its flower carpet to the visitors right at the entrance. The greenhouse, with a metallic structure, has botanic species that are national reference, and also a water fountain. The native forest is filled with paths for hiking. The Botanic Museum attracts researchers from all over the world. There is a space for exhibitions, library and a theater.
Live memory from the multi-faceted culture of the curitibanos, it is one of the biggest theaters in Latin America. It used to be called Theatro São Theodoro, inaugurated in 1884 at Dr. Muricy Street and rebaptized in 1900 as Guaíra Theater. It was demolished in 1930 and the rebuilding, in 1952, already at the current location, was linked to the celebrations of the Centenary of Political Emancipation of Paraná (19 December 1953). It was not finished until the 1970s. There are three auditoriums, the biggest of them with 2173 seats.
Together with the historic houses, it was inaugurated on May 15, 1996. Structured in concrete, it occupies an area of approximately 36 square meters and has a 60 centimeters deep water mirror. The highlight from the fountain is a reproduction of the sculpture "Água pro Morro", from the beginning of the 1940s, from Erbo Stenzel, one of the most important artists from Paraná.
The Street that never sleeps is the synthesis of a city which also never sleeps. It is 120 meters long and 12 meters wide. It is composed by 32 arches in metallic tubular structure, trademark of the modern curitibana architecture. There are 34 shops that are open eternally, from the daybreak sandwich to the bank withdrawal; from the pharmacy to the florist; from books to milk for the children. Great meeting point for tourists and curitibanos seeking leisure, pastimes, night life and good eating options. At 24 Horas street it also possible to have free Internet access, day and night. The user just has to schedule a time.
The main square in Curitiba and also its birthplace. On the north end of this square, lies Basilica Cathedral Minor of Our Lady of Light, centennial in 1993. Anciently known as Largo da Matriz, the square is the city's initial landmark. In 1880, because of the emperor D. Pedro II visit to Paraná, the Square became known as D. Pedro II. Nine years later, at the Republic, it has received the current name of Tiradentes Square. It is an important public transport terminal. It is a permanent meeting point, bringing fond memories to the common curitibano memory.
Used to be called Botanic Garden. The first public park in Curitiba, it was inaugurated by the president of the Paraná province, Alfredo d'Escragnolle Taunay, on 2 May 1886. It was the first big sanitation work in the city, transforming a marsh in a leisure area, with lakes, bridges and islands within the green area. A Pioneer zoo in Curitiba, even today it shelters small animals. The gate is a copy of what existed at the Paris Dog Cemetery.