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Used to be called Botanic Garden. The first public park in Curitiba, it was inaugurated by the president of the Paraná province, Alfredo d'Escragnolle Taunay, on 2 May 1886. It was the first big sanitation work in the city, transforming a marsh in a leisure area, with lakes, bridges and islands within the green area. A Pioneer zoo in Curitiba, even today it shelters small animals. The gate is a copy of what existed at the Paris Dog Cemetery.
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Paying homage to the Middle-Eastern culture, it works as a specialized library. The building reminds of the architectural style of the Moorish buildings, with elements such as the vault, the columns, the arches and the stained glass windows. With just over 140 square meters of built area, the Memorial has a cube shape and is placed over a water mirror. Inside the building, over a marble base is a sculpture representing the writer Gibran Kalil Gibran.
Live memory from the multi-faceted culture of the curitibanos, it is one of the biggest theaters in Latin America. It used to be called Theatro São Theodoro, inaugurated in 1884 at Dr. Muricy Street and rebaptized in 1900 as Guaíra Theater. It was demolished in 1930 and the rebuilding, in 1952, already at the current location, was linked to the celebrations of the Centenary of Political Emancipation of Paraná (19 December 1953). It was not finished until the 1970s. There are three auditoriums, the biggest of them with 2173 seats.
Together with the historic houses, it was inaugurated on May 15, 1996. Structured in concrete, it occupies an area of approximately 36 square meters and has a 60 centimeters deep water mirror. The highlight from the fountain is a reproduction of the sculpture "Água pro Morro", from the beginning of the 1940s, from Erbo Stenzel, one of the most important artists from Paraná.
A space for art and folklore, information and memory, the past and the future. Built on an irregular land, the architectural project allows the creation of spaces and functional and creative installations. The dome, resembling a painting, makes evident the work's role of cultural origin.
The main square in Curitiba and also its birthplace. On the north end of this square, lies Basilica Cathedral Minor of Our Lady of Light, centennial in 1993. Anciently known as Largo da Matriz, the square is the city's initial landmark. In 1880, because of the emperor D. Pedro II visit to Paraná, the Square became known as D. Pedro II. Nine years later, at the Republic, it has received the current name of Tiradentes Square. It is an important public transport terminal. It is a permanent meeting point, bringing fond memories to the common curitibano memory.
Authored by Ricardo Tod, the horse head in bronze characterizing the fountain pays homage to the old immigrant colonists, who with their carts would come from their small farms at the city's outskirts to sell their agricultural products at the center.