Avignon

This is the palace where the Popes of Avignon ruled. For part of the period the Papacy was divided, with a Pope in Rome and another in Avignon. Most of the artwork inside (statues, frescoes) was destroyed during the French Revolution, but the impressive building still stands, and little bits of artwork, such as those that were too high to be convenient to ruin, remain.

It is a ruined bridge not far from the Palais des Papes. The bridge was built in the Middle Ages — before the arrival of the Papacy — perhaps partly to allow the local bishop to cross the river to Villeneuve-lès-Avignon, where the church authorities had installed themselves because of Avignon's then-infamous dirt and lawlessness.

The legend of the bridge's building is that a local shepherd, Benezet (a dialect form of Benedict) was inspired by angels to build a bridge. When his appeals to the town authorities proved fruitless, he picked up a vast block of stone and hurled it into the river, to be the bridge's foundation stone. Convinced by this demonstration of divine will, the bridge was swiftly built. The poor shepherd boy was canonised, and his chapel remains on the surviving portion of the bridge.

The bridge was built with 22 arches, reaching across to the tower of Philippe le Bel via small mid-stream islands. Over the centuries, as the islands shifted and merged into today's île de la Barthelasse, the bridge was repeatedly lost to floods and repeatedly rebuilt; after a series of 17th-century floods, it was abandoned and only 4 of the 22 arches remain. A multilingual audio tour of the bridge explains some of the local history.

A well-known song "Sur Le Pont D'Avignon" (on the bridge at Avignon) refers to the bridge. The bridge is far too narrow for dancing or festivals - the original text of the song was "Sous (under) le pont d'Avignon", referring to the festivals and entertainments staged on the île de la Barthelasse. The current version was popularised by a 19th-century operetta, whose librettist clearly assumed that 'sous le pont d'Avignon' would have meant in the river.

Contemporary art museum developed from the collection of Yvon Lambert.

Fine arts museum with works from 15th to 20th centuries housed in an 18th-century mansion.

Housed in the Archbishops' Palace adjacent to the Palace of the Popes, it has a rich collection on loan from the Paris Louvre Museum of major works by Italian and French Medieval and early-Renaissance artists. Run by the Fondation Calvet. No elevator, only stairs. Small café inside.

A former mansion converted into a museum. Hosts temporary exhibitions in addition to the permanent exhibition. This small museum has a collection of old church bells in the courtyard. No elevator, only stairs.

The museum is located in the chapel of the city's Jesuit College (on the ground floor) and belongs to Fondation Calvet. It hosts Egyptian, Greek, Etruscan, Roman and Gallo-Roman sculptures and objects.

Avignon is famous the world over for its annual theatre festival. For three or four weeks in July the city is virtually swollen with street performers, actors, musicians, and of course the ubiquitous tourists. The festival is an excuse to turn any room with enough seating into a 'salle de spectacle' and the city is host to a wide variety of entertainment. The gem of this festival are the performances which take place inside the Pope's Palace itself. Tickets are expensive, but this is considered by many French and European thespians to be a crowning achievement of their career. The vast majority of performances are, of course, in French but a number of foreign companies perform in other languages including English. Even without attending any events, the atmosphere and street theatre give the city a marvellous feeling.