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Photo: newmexico.photographer, CC BY 2.0 via Wikimedia Commons
A vast collection from Taos artists dating from the 18th to the 20th century, with particular focus on Hispanic artistic traditions and paintings from the Taos Society of Artists.
The Harwood Museum of Art is located in Taos, New Mexico. Founded in 1923 by the Harwood Foundation, it is the second oldest art museum in New Mexico. Its collections include a wide range of Hispanic works and visual arts from the Taos Society of Artists, Taos Moderns, and contemporary artists. In 1935 the museum was purchased by the University of New Mexico. Since then the property has been expanded to include an auditorium, library and additional exhibition space.
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The former home of Ernest L. Blumenschein, who became captivated by the scenery in Taos when he and a friend were traveling through and a wagon accident forced them to stay in Taos. Blumenschein told other artists of the beautiful scenery and returned to Taos, where he helped create the Taos Art Colony. Today, you'll find the home furnished with many of Blumenschein's original belongings and paintings.
The former home of Governor Bent, the first Governor of New Mexico when it was territorial United States, who was killed here in a raid by angry residents who objected to American rule. This small museum has some artifacts from the uprising, as well as some works from local artists.
The Taos home of Kit Carson, a 19th-century frontiersman, Indian agent, and Army officer who played a prominent role in the Indian Wars. The house has been lovingly preserved, with artifacts from Carson's life and period furnishings illustrating frontier life in Taos, including one room done up to look like a frontier trading post.
A lovely, shaded public park with fields, trails, a playground, and a cemetery with the graves of Kit Carson, his family, and other notable Taos citizens.
Located in the former home and studio of Russian born artist Nicolai Fechin, the Taos Art Museum has works from famous Taos artists, most notably a collection of paintings from the Taos Society of Artists from the early 20th century, of which Fechin was a member. The building is a wonderful example of Southwestern adobe architecture, with interesting ornamentation and examples of Fechin's own handcrafted furniture, and the collection offers a good insight into the work of the artists who brought artistic renown to Taos.