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The Osaka Garden grew out of the Pavilion for the Japanese Government at the 1893 World's Columbian Exposition and was planned by Olmsted as well. During WWII, the gardens suffered from repeated anti-Japanese vandalism and arson, culminating in the site's abandonment to those unsavory types who inhabit abandoned urban parkland. Chicago's sister city, Osaka, donated the money in the 1980s to restore the gardens, prompting a name change from the Japanese Garden to the Osaka Garden. Today, the gardens are one of Chicago's finest secret places and a wonderful escape from harrowing tourist adventures.
This ornate fountain that stands in the tiny Drexel Square Park is the oldest in Chicago — one of the first monuments erected in the Chicago area. Commissioned by a wealthy stockbroker by the name of Francis Drexel, who managed to get the avenue, square, and fountain all named after himself without ever setting foot in Chicago.
One of Frank Lloyd Wright's earliest distinctive buildings (1897), often credited as the turning point in his early career when he shifted towards the Prairie School.
KAM Isaiah Israel
It looks like a Byzantine style mosque, but that minaret is actually a smokestack for this synagogue. The building was built in 1924 for the reform Isaiah Israel congregation, which later merged with Chicago's oldest Jewish congregation, Kehilath Anshe Ma'ariv (KAM), which in turn moved out of its massive temple on Drexel Avenue. The interior is marvelously elaborate. There are stained-glass depictions of humans, which is very unusual for a synagogue, and the walls appears to be made out of ancient stone -- but they're actually just plaster!
Masjid Al-Faatir is the largest of Chicago's Mosques. Founded by world heavyweight boxing champion Muhammad Ali and his manager Jabir Herbert Muhammad (son of Elijah Muhammad) in 1987. It was later renovated with the help of the late president of the UAE, Sheikh Zayed Bin Sultan Al-Nahayan.
The Smart museum is small, but has an excellent collection, thoughtfully exhibited. Staff is very friendly.
You can get a visitor pass at the entry desk to browse the gigantic collection of over 4.5 million volumes, or just marvel at the exterior architecture. The building is one of the world's best examples of the Brutalist movement, which emphasized the structural materials (rough concrete in this case), as well as striking repetitions and irregularities of angular forms. Free Wi-Fi and public use computers - present a photo ID at the entry desk.