North Buffalo Ice Rink

The oldest continually operating billiard hall in North America, Hippodrome Billiards opened in 1914 in the Theater District; through its early years of operation, some of history's great pool sharks, such as Minnesota Fats and Willie Mosconi, were regulars here. Sadly, Hippodrome is situated today in a nondescript suburban-style strip mall at the southwest corner of Delaware and Hertel Avenues. Despite the unfortunate location — and its spacious, bright and clean ambience that runs counter to the stereotype of pool halls — Hippodrome manages to conserve some of the old-school feel with chairs, cue racks, and several billiard tables retained from the original property. And, for those who'd rather skip the history lesson and just shoot a few games of pool, Hippodrome's rate of $4 per person per hour is hard to beat.

16 screens showing standard big-name Hollywood fare.

A longtime fixture in the Buffalo arts community whose untitled illustration graced the inaugural issue of The Public, Craig LaRotonda opened Revolution Gallery in December 2016 along with his wife, fellow artist Maria Pabico LaRotonda, after a successful Kickstarter campaign. LaRotonda's own style is a sort of noir surrealism, and that's the aesthetic he's going for with this gallery — to borrow the words of the website, the emphasis is on works by local artists (including, of course, the LaRotondas themselves) that are "provocative and imbued with dark beauty, emotion, and mystery" and are executed in a variety of media: drawings, paintings, photography, and sculpture but also handmade jewelry and postcard prints offered for sale. As well, Revolution Gallery augments their permanent collection with a regularly scheduled slate of temporary and travelling exhibitions by local, national, and international artists including their inaugural one, Inception: a multimedia exhibit of work by artist Damien Echols, famous as one of the exonerated "West Memphis Three" falsely convicted of murder in 1994.

Almost inarguably the most distinctive movie theatre in the Buffalo area, the North Park was built in 1920 as an old-fashioned silent movie palace and still boasts an exquisite (and newly restored) Baroque interior with Art Deco flourishes. The single screen shows indie films almost exclusively. The North Park Theatre is also famous as the site of the world premiere of Buffalo '66, the critically-acclaimed directorial debut of local native Vincent Gallo, which took place here in June 1998.

The Manny Fried Playhouse, named after a former Buffalo theatre actor, union organizer, and political radical and located in the former Pierce-Arrow Factory Complex in Park Meadow, is the new home of the Subversive Theatre Collective. This bold new troupe's mission is to present provocative works of drama that are "dedicated to the needs, concerns, and aspirations of those who are oppressed, exploited, and disenfranchised by the existing social order". The Subversive Theatre Collective has staged performances of works such as Maxine Klein's The Furies of Mother Jones and Bertolt Brecht's The Mother, and has traditionally been an integral part of Buffalo's annual Infringement Festival.

Located in the foyer of the Glenn & Audrey Flickinger Performing Arts Center on the campus of one of Buffalo's foremost private prep schools, the focus here is on works in a wide range of media by local artists (especially current Nichols students and alumni, much of whose work is displayed at the adjacent SEEARTRUN Gallery) or whose themes are relevant to Buffalo, Western New York, or the surrounding region. The Nichols School Gallery also hosts a range of travelling exhibits, workshops and visiting artist lectures.