With a history linked closely to the railroad industry that was so prominent in Buffalo at the turn of the century, the neighborhood of Lovejoy is nicknamed "Iron Island" because it is surrounded by railroad tracks on all four sides. The Iron Island Museum was opened in 2000 by the Iron Island Preservation Society and is dedicated to retelling the history of Lovejoy with a particular emphasis on the railroads that have shaped its identity. Formerly a funeral home, the Iron Island Museum's reputation for ghost sightings has attracted the attention of paranormal researchers from around the region and further afield, in addition to the television shows "Ghost Lab" and "Ghost Hunters". Accordingly, overnight ghost hunts, conducted periodically by reservation, are a popular offering of the Iron Island Museum.
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The Buffalo Fire Historical Society Museum is in Lovejoy, a blue-collar neighborhood that is home to many Buffalo firefighters. This modest-sized building houses an extensive collection of antique fire trucks, apparatus and other artifacts, and historic photographs and exhibits related to the history of the Buffalo Fire Department. The museum's mission also encompasses educating the public about fire safety and prevention, and firefighting as a career.
Of all the magnificent train stations built in Buffalo at the height of the railroad era (when it was second only to Chicago as a railroad hub), the Central Terminal was the grandest — and it's the only one left standing. The Central Terminal opened for business a few months before the stock market crash of 1929 and served as the gateway to Buffalo for passengers on the New York Central Railroad (and, later, Amtrak) until 1979, when it was shuttered as a cost-cutting measure.
Offering an experience that's somewhat but not completely different from the rest of Buffalo's roster of small art galleries, where the somewhat insular local scene is focused on to an almost solipsistic degree, the programming at this off-the-beaten-path exhibition space in Kaisertown comprises an interesting mix of both locally-based and nationally- and internationally-famous artists. A good example of the latter is the exhibition of Romero Britto sculptures that kicked off just a month after the gallery itself opened for business; as for the former... let's just say that if you've visited Canalside and duly fallen head over heels for Shark Girl, you'll be delighted to learn she also puts in frequent appearances in the works on display here, courtesy of Casey Riordan, her creator and Rabbit Hole part-owner.
Designed by sculptor John Wilson, the Martin Luther King Tribute Plaza was unveiled in October 1983, six years after the city made good on its longstanding promise to neighborhood residents to rename the erstwhile Humboldt Park in honor of the civil rights leader that's depicted in this eight-foot (2.5-m) bronze bust portrait. The figure is sculpted in a somewhat idealized way; in the words of the artist, it was intended to "sum up the larger-than-life ideas" of Dr. King and capture his "inner meaning" rather than simply as a lifelike representation. Underneath the bust, on the side of the low stone wall that serves as its pedestal, is a bas-relief engraving of Dr. King at the podium at his famous "I Have a Dream" speech.
The centerpiece of Martin Luther King, Jr. Park, the Humboldt Basin is a five-acre (2 ha) water feature of several functions: in the summer it serves as a "splash pad" where neighborhood kids can cool off and frolic underneath fountains of cool water that jet upwards from sprinklers embedded in the ground, in the winter it's an outdoor ice rink, and in the spring and fall it's a pleasant, peaceful reflecting pool. The Humboldt Basin was reconstructed and reopened in 2013 by the Buffalo Olmsted Parks Conservancy; originally, it was part of the Olmsted brothers' 1896 redesign of what was then called Humboldt Park, an immense wading pool with a sand and clay bottom (later replaced with concrete) that had been dry and abandoned since the 1980s.