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Photo: Bryn Holmes, CC BY-SA 2.0 via Wikimedia Commons
The former home of Sigmund Freud. A wide range of exhibits, most famously including the psycho-analytic couch that all of his patients used. Freud was an avid collector of antiquities and there is a fine collection of Greek, Roman and Oriental pieces on show.
The Freud Museum in London is a museum dedicated to Sigmund Freud, located in the house where Freud lived with his family during the last year of his life. In 1938, after escaping Nazi annexation of Austria he came to London via Paris and stayed for a short while at 39 Elsworthy Road before moving to 20 Maresfield Gardens, where the museum is situated. Although he died a year later in the same house, his daughter Anna Freud continued to live there until her death in 1982. It was her wish that after her death it be converted into a museum. It was opened to the public in July 1986.
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A repertory theatre that is about as far removed from glitzy west end productions as you could imagine. Dedicated to exposing new writing talent. Harold Pinter gained some of his earliest experience here.
Small, intimate theatre known for edgy, high quality productions. Located above The Horseshoe pub.
One of London's most notable art house cinemas which offers a high quality experience. You pay for it, but the environment is very classy indeed. Has a sister cinema just down the hill in Belsize Park - The Everyman Belsize Park.
A community garden for inner peace next to Hampstead Heath station. No smoking, alcohol or dogs allowed.
A magnificent old house dating from 1667 that is administered by the National Trust. It is most famous for its globally important collection of early keyboard instruments, and there is also a fine collection of art and porcelain. Frequently hosts recitals.
A house designed by Erno Goldfinger in 1939 and regarded as an icon of modernist architecture. The contents are just as impressive as the house and include original works by Henry Moore and Max Ernst. Local lore has it that Hampstead resident of the time Ian Fleming objected so strongly to Goldfinger's modernist design that he named his famous Bond villain after him.