Convent of Santa Clara of Assisi

The foundation has a permanent collection of artwork by Santa Cruz artist Cristino de Vera, and hosts temporary exhibits by other highly-regarded contemporary artists.

Housed in a reportedly haunted mansion which once belonged to an Italian noble family, the museum has exhibits illustrating Canarian life from the 17th to 19th centuries. Descriptions of exhibits are only in Spanish, but there is an English commentary available for smartphones (be sure to bring a headset or earphones).

Society founded in the second half of the 18th century at the peak of the Enlightenment Age, with the aim of stimulating improvement in all aspects of public life and in all areas of knowledge, from social and experimental sciences to music and literature. The society is housed in a historic building with architectural contrasts between old and new.

A Baroque palace, and one of the most outstanding examples of Canarian architecture that combines Mannerist and Neoclassical elements. The palace is the seat of the Dioscese of Nivariense. Construction started around 1829 by Cristóbal Salazar de Frías, and completed by his son around 1687 who becamse the first Count of Marqués de Estremiana. Bishop Ramón Torrijos y Gómez purchased the estate in 1891 and turned it into its current function of diocese. The palace is a cultural monument since 1982, and part of the historic centre that was declared a in 1999. The building was completely destroyed by a fire in 2006, leaving only the facade intact. The ruins underwent restoration and reconstruction following a crowdfunding campaign, and the palace was reopened to the public in 2009. The palace has 2 floors, in which the facade stands out with its central finish and gargoyle figure decorations.

Dominican order convent at the Plaza del Adelantado, hosting the preserved body of Maria de Leon Bello y Delgado, popularly called La Siervita. The convent was founded in 1606 by alderman Juan de Cabrejas and his wife, who purchased the residence of Alonso Fernandez de Lugo in the early 17th century and converted it into the convent. In 1611 the convent was inaugurated and 4 nuns from Seville moved in, multiplying to many hundreds of nuns over the next centuries. The current church is topped with a belfry with a single nave, and high and low choirs. Noteworthy are the 2 carved wooden access doors flanked by stonework arches. The altarpiece stands out in particular, along with the ironwork that separates the inner sanctum dating from the 17th century. The large altarpiece in the main chapel is from the hand of Antonio de Orbaran and Antonio Alvarez, dating from 1665. The convent was declared a cultural monument of the Canarias in 1986, and worth a visit.

One of the central plazas in the city, named after conqueror of the island Tenerife, Alonso Fernandez de Lugo, who had his residence at this plaza in the 16th century where what is now the Convent of Santa Catalina de Siena. Until the end of the 20th century the plaza was the most important location for public events, markets, processions, bullfights, and even the execution of death sentences. For the first centuries of its existence the plaza was barren, until it was paved for the first time in 1798 and trees were added to provide shadow in 1843. The central marble fountain is the most characteristic element of the plaza, and the most aesthetic of the historical quarter. It was sculpted in Marseille where it embarked to San Cristóbal de La Laguna in 1869. The 30 ton fountain arrived by ship, and was inaugurated in 1870.