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It is a place of devotion documented since 1461. With the increase in population and devotion to the Mercy in the 19th century, the building, which measured only in width and in length, became too small. In 1852, a new building was commissioned. Despite the prevailing neoclassical fashion, before the Royal Academy of Fine Arts, Molina defended his preference for the neo-Gothic style. During the Spanish Civil War, the building was set on fire, and most of the archives were lost. After the war, the building was restored.