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Photo: No machine-readable author provided. Etxeorratz assumed (based on copyright claims)., Public domain via Wikimedia Commons
Overlooking Bilbao, this is perhaps the most symbolic religious building in the city. Built in the 16th-century by Sancho Martinez de Arego, who was also responsible for the Iglesia San Anton. It is a basilica of three naves. During the first Carlista War, in 1835, the façade and the tower were destroyed. The present ones were designed Jose Maria Basterra and constructed between 1902 and 1907.
The Basilica of Begoña is a basilica in Bilbao, in Spain, dedicated to the patroness saint of Biscay, the image of Our Lady of Begoña.
© OpenStreetMap contributors
Euskal Museoa
Established in 1921 to focus on the prehistory, archaeology, ethnography and history of Euskadi (Basque homeland). Not a particularly well laid out museum. It will be of passing interest to people who study Basque culture.
Bilbao's Plaza Nueva was first named Plaza de Fernando VII. Construction began on the plaza on December 31, 1829 and finished exactly 20 years later on December 31, 1849. This plaza was the seat of the Diputación de Vizcaya until July 1900 when the Diputación moved to its new home on the Gran Vía. The Academy of the Basque Language (Euskaltzaindia) occupies the old Diputación building in the Plaza Nueva. There is a market of used books, stamps, coins, and other small items in the plaza every Sunday morning. The Plaza Nueva is surrounded by buildings and only has entrances on some sides.
The Iglesia de San Nicolás, finished in the 19th century, is dedicated to the patron saint of sailors. One of the best examples of Baroque architecture in Vizcaya.
A former convent founded in 1515 by Dominican nuns.
Gothic-style 14th-century cathedral, named after Bilbao's official patron saint. Three naves and small Gothic cloisters. The building was designated a cathedral in 1949. Its neo-Gothic tower and main façade were designed by Severino de Achúcarro in the 1800s. The adjoining square (Plaza de Santiago) boats a fountain designed by Luis Paret during the reign of Carlos III with the inscription Por el bien público (For the good of the people).
Frank Gehry's spectacular twisting titanium-clad modern art museum is perhaps the most celebrated building of the 1990s, even starting what would be called the 'Bilbao-effect': The idea in urban planning that a star-quality building can single-handedly change the entire image of a city. Although this effect is unproven in its pure form, the Guggenheim nevertheless changed the world wide perception of Bilbao. The graceful, sensuous curves, evocative of the ships that used to be ubiquitous along the docks of Bilbao, are covered in titanium squares, which resemble the scales of a fish and shimmer in the sunlight. In keeping with the maritime theme, appropriate for the setting, the skylights of the largest gallery (formerly known as the Fish gallery) are designed to look like the fins of fish. Many parts of the building are purely decorative, and don't serve any purpose. The permanent collection is not particularly impressive, but the museum always hosts at least one interesting temporary exhibit, frequently comprised of masterpieces from the other Guggenheim collections.