Photo: Boris Brdjanin, CC BY-SA 3.0 via Wikimedia Commons
In 1893, by construction of this building the new architecture style stepped into Subotica. Some of the characteristics of the new style such as rejecting old forms, human proportions, asymmetry, new materials etc – can be found here.
© OpenStreetMap contributors
The architect, Pál Vadász although being the creator of the genuine geometric Viennese Secession in Subotica, designed this building in simple, almost modern concept in 1913. This was a tenement building and it was commissioned by the Council of Subotica.
The National Theatre fosters cultural identity of all national communities in Subotica and it is a unique theater in our country because it has two ensembles: one that plays in Serbian and the other that plays in Hungarian language. In terms of repertoire, it tries to satisfy the diverse interests of the audience of different ages. Both ensembles play on Jadran stage till the completion of the theatre building.
This building was designed by M. Komor and D. Jakab who, after completing one big commission (the Synagogue), were waiting for the new one (the City Hall). Designed also in Hungarian version of the style, it was built in 1908 for the Subotica Savings Bank. Because of its function, many corresponding symbols can be found on the facade. Squirrel – symbol of diligence, beehive - symbol of thrift, owl – symbol of wisdom.
It also houses Athletes' Centre.
Liberty Square
Unlike many European towns, the City Hall in Subotica dominates the city centre instead of a church or a cathedral. The City Hall is a master peace of Hungarian version of Art Nouveau built in 1912. It is flanked by a park with a fountain and a vast square where many concerts and bazaars are organized throughout the year. It is surrounded by the building of People's Theatre that is undergoing a major reconstruction. It was built as a classic style building characterized by six Corinthian columns. On the eastern side of the square there is a neo-baroque building of The Public Library. The two Atlases carrying one of the nicest balconies in the city make this building charming. The Emperor Jovan Nenad Monument in the middle of the square represents a controversial historical figure. He styled himself emperor and pronounced Subotica his capital in 1527, but all lasted for a very short period of time. Not far from the monument there were two ceramic fountains. The Green Fountain (1985), and the Blue Fountain (2001). Both were made of Zsolnay tiles, likewise all decorative ceramics and roof tiles of the city’s Art Nouveau buildings. Unfortunately, the Green Fountain could not be easily renovated and was substituted by a generic one.
This gallery features presentations of visual artists of various art practice: painting, sculpture, graphics, multimedia, performance, etc. It also exhibits art objects, the legacy of Subotica's doctor of medicine Vinko Perčić.