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Built around 1200, this temple made of thousands of bricks is named after its owner. The structure is a distinct built up of cells around a patio in the middle.
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A Buddha south of Somingyi Kyaung. Allows for a very nice picture.
Ama, a temple, was built in the 12th century, typically squared with entrances to all four directions. Nyima, a stupa, has guardian lions on its corners.
Built by the Mon King Manuhar from the nearby kingdom of Thaton, once a prisoner of King Anawratha. When released, he sold his jewellery and built this temple. A good testimony to Mon architecture. This temple contains three sitting Buddhas and one reclining Buddha. It is said that Manuhar built this to reflect his feelings of claustrophobia and despair during imprisonment. The sitting Buddhas are in a half-smile, but if seen from below which you are forced to if you enter through the front entrance, it would look like they are frowning.
Mon-style lacquerware is a traditional art and small-scale industry in Myanmar, and nowhere is it better to see this than Bagan. It is said the Mon King Manuha brought his artisans with him into exile here. In Myinkaba village, several small setups produce lacquerware out of wood or bamboo. Many of these are family-based businesses, and they will give you free tours and detailed explanations of the intricate process for free in English, with no pressure to purchase.
Myazedi pagoda contains the Myazedi inscription, inscribed in 1113, which is the oldest surviving stone inscription of the Burmese as recognized by UNESCO at this site. "Myazedi" means "emerald stupa". The inscriptions were made in four languages: Burmese, Pyu, Mon, and Pali, which all tell the story of Prince Yazakumar and King Kyansittha. The primary importance of the Myazedi inscription is that the inscriptions allowed for the deciphering of the written Pyu language, thus acting as the 'Rosetta stone' of Pyu language.
The nearby Gu Byauk Gyi temple is well-worth a visit for its enormous frescoes covering every inch of its inner walls. There is scarce lighting inside, but thoughtfully two large torches are provided which allow you to appreciate the artwork.