Plaza Grande

Mérida's red city hall, easily spotted by its distinctive clock tower, was built in 1735. From this building in 1821 the Republic of Yucatán declared independence from Spain.

A cultural center where dance performances are staged most evenings. Information on upcoming performances is available in the entrance. These performances are very popular – it is best to arrive early. Shortly before the performance people without tickets gather in a queue stretching sometimes to over 100m, in the hopes that paying audience members leave the performance early and thus vacate a seat.

This lovely colonial palace was built in 1892 in the Neoclassical style, with a large courtyard and impressive staircase. Upstairs there is a permanent exhibit of paintings by the painter Fernando Castro Pacheco illustrating key events in the history of Mexico and of the Yucatán peninsula. The main balcony upstairs has a good view of the Zócalo and the cathedral.

The 1549 palace of Montejo the Conquistador. His descendents lived here until 1978. Although the building was extensively remodeled in 1850, some of the original architectural features remain. The ground floor has been converted to commercial use (a Banamex bank with handy ATMs), but the restored interior of the building is open to visitors during banking hours. If you miss an opportunity to have a look inside, the elaborate facade on the outside is alone worth the visit. Elements of the facade include the Montejo family coat of arms, as well as figures of Spanish Conquistadors standing on the heads of conquered native Maya – a graphic illustration of the new order the Conquest imposed.

This is the first cathedral built on the mainland of the Americas and the oldest in Mexico, built on the site of the Mayan temple Xbac-Luum-Chaan. The temple stones were incorporated into the new building, and a number of original Mayan carvings are still visible on the church walls. Construction began in 1561 and was completed in 1599, except for the bell tower, which was finished 200 years later in 1774. The building is rather austere in style, partly due to its Franciscan design, and partly due to looting during the Mexican revolution.
The stations of the cross in the interior on the side naves are particularly noteworthy, as is the painting above a door depicting the baptism of the Mayan ruler of Maní.
An additional item of interest on the left side is the so-called El Cristo de las Ampollas ('The Christ of the Blisters') located in a side chapel. In 1645 this wood carving was brought from the village of Ichmul, after it miraculously survived a fire which had destroyed the village church. The original was destroyed during the revolution, but the devout still come to pray at the replica.

Housed in the former bishop's palace, this museum has a permanent collection of sculptures and paintings by the most well-known artists from the state of Yucatán. Rotating exhibits of work by local artists are also on display.