Photo: 663highland, CC BY 2.5 via Wikimedia Commons
Ishibutai Tumulus (Ishibutai kofun) is one of Asuka's most famous archaeological sites. The enormous stone chamber is exposed because its original earthen burial mound has disappeared. Built in the late 6th or early 7th century, the tomb is traditionally associated with Soga no Umako, one of the most powerful figures of the Asuka period. The massive stones forming the chamber are particularly impressive, with the largest weighing many tonnes. Visitors can enter the chamber and see how the tomb was constructed. The site is surrounded by a small park and is one of the most distinctive remains of ancient Asuka.
Ishibutai kofun (石舞台古墳) is a Kofun period burial mound, located in the village of Asuka, Nara in the Kansai region of Japan. The tumulus was designated a National Historic Site of Japan in 1935. In 1954 the designation was elevated to a Special Historic Sites , The kofun is also known as the Ishibutoya (石太屋) Kofun.
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キトラ古墳
Kitora Tumulus (Kitora kofun) is a small 7th-century burial mound famous for its exceptionally preserved wall paintings. The original tomb is closed to visitors to protect the paintings, but the nearby Shijin-no-Yakata exhibition hall displays a full-scale reproduction of the burial chamber, allowing visitors to see the paintings and their arrangement. The murals include the Four Guardian Gods, astronomical images of the sun, moon and stars, and human figures. The original paintings are considered among Japan's most important surviving examples of ancient tomb art and show strong connections with contemporary art and cosmology in East Asia.
高松塚古墳
Takamatsuzuka Burial Mound (Takamatsuzuka kofun) is a small 7th-century burial mound famous for the richly coloured wall paintings discovered inside in 1972. The paintings depict figures including the celebrated Asuka Beauties, as well as the Four Guardian Gods and representations of the sun, moon and stars. The original tomb is carefully protected and is not open to visitors, but the nearby Takamatsuzuka Mural Hall displays reproductions of the paintings and explains the excavation and conservation work. The tomb is an important example of the cultural connections between Asuka-period Japan and the wider East Asian world.
橘寺
Tachibana-dera is a Buddhist temple traditionally regarded as the birthplace of Prince Shōtoku, one of the most important figures in the early development of Buddhism in Japan. Founded in the Asuka period, the temple occupies a peaceful site surrounded by rice fields and hills. The main hall contains a number of Buddhist images, including the unusual **Taishō Kannon**, while the temple grounds preserve the remains of its ancient foundations. Tachibana-dera is located close to Ishibutai and other major sites in the Asuka area, making it easy to combine with a tour of the surrounding archaeological landscape.
岡寺
Oka-dera Temple, also known as Ryūgaiji, is a Buddhist temple founded in 663 on a hillside overlooking the Asuka plain. The temple is particularly noted for its gardens, autumn colours and the large Nyoirin Kannon, a clay statue dating from the Nara period and regarded as the largest clay Buddhist statue in Japan. The temple's name means “Temple on the Hill”, while its traditional name, Ryūgaiji, is associated with a legend in which the monk Gaien subdued a dragon and confined it beneath a large stone. The temple is one of the 33 temples of the Saigoku Kannon pilgrimage and is also traditionally associated with prayers for protection from bad luck.
猿石
Saruishi (Monkey Stones) are a group of unusual carved stones near the village of Asuka. The four stone figures have roughly human or animal-like faces and are thought to date from the Asuka period, although their original purpose is unknown. Their distinctive expressions have led to various interpretations, including connections with guardian figures or influences from the Korean Peninsula.
亀石
Kameishi (Tortoise Stone) is one of the unusual carved stones scattered across the Asuka countryside. The large, roughly turtle-shaped stone is thought to date from the Asuka period, although its original purpose and meaning remain uncertain. Local tradition says that the stone faces toward the direction of Nara and that, should it ever turn completely around, the surrounding region would be submerged.\