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Photo: Dianelos Georgoudis, CC BY-SA 3.0 via Wikimedia Commons
The original Sindone or Turin Shroud is in safekeeping in the Cathedral and rarely displayed. This small museum displays a copy and studies the Shroud. It's a remarkable object whatever it is, a 4.4 x 1.1 m winding sheet charred by fire and appearing to bear the likeness of a man, matching the Gospel description of the crucifixion of Jesus. Multiple tests have produced contradictory results, or at least contradictory interpretations. It's only reliably known to have existed since 1390 when it was denounced as a forgery, and radio-carbon dating matches that. But no deliberate attempt to reproduce it has managed to capture all its qualities, especially the 3D effect of its photo negative, and neither natural nor artificial processes convincingly explain it. So just look and wonder.
The Shroud of Turin, also known as the Holy Shroud, is a length of linen cloth that bears a faint image of the front and back of a naked man. Because details of the image are consistent with traditional depictions of Jesus of Nazareth after his death by crucifixion, the shroud has been venerated by Christians for centuries, especially by members of the Catholic Church, as Jesus's shroud upon which his image was miraculously imprinted. The human image on the shroud can be discerned more clearly in a black-and-white photographic negative than in its natural sepia colour, an effect discovered in 1898 by Secondo Pia, who produced the first photographs of the shroud. This negative image is associated with a popular Catholic devotion to the Holy Face of Jesus.
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This church was built in the 1730s for a Carmelite convent.
Church of the Virgin of the Consolation
A church and Benedictine monastery may have stood here since the 5th century. Most of it is from 1680 to 1740, an over-the-top profusion of baroque.
Baroque bling palace, visit by guided tour. Its last private owner Carlo Tancredi Falletti di Barolo served Napoleon then worked tirelessly for relief of the poor; his palace then became an opera house.
MAO
This museum houses art from Kandahar, India, Southeast Asia, China and Japan. The third floor shows Buddhist and Tibetan culture. The fourth floor is Islamic and Arabian, mainly bronzes, ceramics and tiles.
Cappella dei Mercanti, Negozianti e Banchieri
A jewel of baroque architecture and sacred art built from 1680 by businessmen anxious to sanctify their dealings - they were, let's stress, "The Pious Congregation of Bankers, Shopkeepers and Merchants of Turin." One theme of the decor is the Magi, bearing the trade valuables without which the Christian church couldn't exist. The chapel was created within Chiesa dei Santi Martiri, a 16th-century Jesuit church. Its best-known artefact is the "calendario perpetuo" made by Giovanni Amedeo Plana in 1831. This predicts lunar phases, tides, days of the week and Christian holy days for 4000 years from Year Zero (1 BC in the Gregorian calendar); thereafter it's askew as it misses an extra leap-day tweak. It ranks among the world's earliest computers, though pipped by Babbage's "difference engine" of 1822.
Basilica of Our Lady Help of Christians
Palladian church built 1865-68, originally as part of a care facility for poor and delinquent boys founded by Don Bosco (1815-88). He himself is buried here, along with 6000 bits and pieces of saints.