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Photo: user:Sputnikcccp~commonswiki, CC BY-SA 3.0 via Wikimedia Commons
If it is sunny, you'll catch a few young people and older gentlemen sitting at the base of a statue in the middle of the open space. The statue is a brooding, hooded Giordano Bruno—an excommunicated Dominican monk and one of the earliest cosmologists who held the idea of an infinite universe. He was burnt at the stake for heresy on this spot on 17 February 1600. The piazza is used as a marketplace during the day, and party central for college students and tourists at night. When the sky gets dark and the street lamps go on, the Campo de' Fiori fills with people and lovers wander arm in arm in the crowd. Over the buzzing of conversation and the occasional burst of laughter you may hear a young vocalist belt out O Sole Mio at the top of his lungs as change plunks into his accordion case.
Campo de' Fiori is a rectangular square south of Piazza Navona in Rome, Italy, at the border between the rioni Parione and Regola. It is diagonally southeast of the Palazzo della Cancelleria and one block northeast of the Palazzo Farnese. The name dates to the Middle Ages when the area was a meadow.
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This remarkable building served as the site of the Apostolic Chancellery, or offices of the Pope, for centuries, and now houses a Vatican court. Tucked behind the facade is also the Basilica of San Lorenzo in Damaso, an ancient Roman house church rebuilt in the 15th century.
Since 1871 this has been the French Embassy. This 16th-century palace contains an important fresco cycle by Annibale Carracci and houses a library of collections by the French school in Rome, particularly on Roman archaeology. Note the two beautiful fountains in the piazza.
The palace was built by the architect Baldassare Peruzzi on behalf of the Massimo family. The former palace was destroyed during the pillage of Rome in 1527. The Massimo family can be traced back to Quintus Fabius Maximus who defeated Hannibal in the 3rd century BC. The building is open to the public on March 16, only in order to commemorate the miraculous reanimation of Paolo Massimo by St. Philip Neri in 1538.
This building was erected in the 16th century for Cardinal Girolamo Capodiferro. One century later it was acquired by another powerful Cardinal, Bernardino Spada, and was restored by Borromini, who created the forced perspective optical illusion in the arcaded courtyard.
Minor basilica in 17th-century baroque style with good art inside. In a smaller Italian city, this might be a prime attraction, but in Rome, with its abundance of great churches, this is merely a pleasant church of secondary interest to visit if you are in the area.
An example of urban planning that goes back to Pope Julius II, who, in 1508, envisioned it as a street that would connect all major government buildings. It is around a kilometer long and is in a straight line, an unusual feature for the time. It is lined with some interesting palaces but these days is more known for its antique shops. Via Giulia runs parallel with and one block from the River Tiber.