National railway Museum of Pietrarsa

One of Naples' main churches, related to important historical events of the city and its kingdom, such as Masaniello revolt and the executions happened during the five months existence of Parthenopean Republic (1799). The interior is a true triumph of Baroque decorations including polychrome marbles, stuccoes and a magnificent gilded ceiling. The basilica is located in Piazza del Carmine, few steps away from Piazza Mercato and Via Marina and it's recognizable by the 75-m bell tower, with a characteristic onion dome.

Large collection of artworks, coins, and books donated to the city by Prince Gaetano Filangieri.

Ancient city gate built in 1484, during the Aragonese rule, it represents one of the few visible remains of the medieval walls of Naples. It consists of an arch of white marble decorated with various bas-reliefs, between two impressing cylindrical towers made of igneous rock. During the first half of 20th century the square around the gate was a meeting point for artists and intellectuals.

The second most ancient castle of Naples after Castel dell'Ovo, built in 12th century by the Normans over a necropolis for use as a royal palace. It was then used as a residence for distinguished visitors such as Francesco Petrarca, and also as site for royal weddings and ceremonies. In 1503 it became the seat of city's courthouse for almost half a millennium, until the year 1995. Its name derives from its proximity to the road that led to Capua.

Often called Maschio Angioino, it is a medieval castle and the main symbol of the architecture of the city. It was first begun in 1279 by Charles I of Anjou and completed three years later. Castel Nuovo soon became the nucleus of the historical center of the city, and was often the site of famous events. For example, in 1294, Pope Celestine V resigned from the Papacy in a hall of the castle. The event was depicted by Dante Alighieri in his masterpiece la Divina Commedia, in the verse Colui che per viltade fece il gran rifiuto.

One of the most beautiful fountains of the city, made in the beginning of 17th century by Pietro Bernini, father of the more famous Gian Lorenzo. It was used to sit beside the Royal Palace, close to the statue of a giant. It was then moved to the promenade. It is composed of three round arches topped by coat of arms and decorated by various statues.