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Photo: Luciano Romano / Archivio Napoli Teatro Festival Italia 2009, CC BY-SA 2.0 via Wikimedia Commons
A former public hospital/almshouse. It was designed by the architect Ferdinando Fuga, and construction was started in 1751. It is five storeys tall and about 300 m long. It was popularly known as "Palazzo Fuga". King Charles III of the House of Bourbon meant the facility to house the destitute and ill, as well as to provide a self-sufficient community where the poor would live and work. The building was designed with five courtyards and a church in the centre, but only the three innermost courtyards were built, and plans to complete the building according to the original design were finally abandoned in 1819. It is no longer a hospital, and has suffered much from neglect and earthquakes. The centre behind the entrance is now used for exhibitions, conferences, and concerts.
The Bourbon Hospice for the Poor, also called il Reclusorio, is a former public hospital/almshouse in Naples, southern Italy. It was designed by the architect Ferdinando Fuga, and construction began in 1751. It is five storeys tall and approximately 354 m (1,161 ft) long. It was popularly known as "Palazzo Fuga". King Charles III of the House of Bourbon meant the facility to house the destitute and ill, as well as to provide a self-sufficient community where the poor could live, learn trades, and work. The massive Hospice at one time housed over 5000 persons, men and women, in separate wings The building is the centre of Naples, which is included in UNESCO World Heritage List.
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Ancient city gate built in 1484, during the Aragonese rule, it represents one of the few visible remains of the medieval walls of Naples. It consists of an arch of white marble decorated with various bas-reliefs, between two impressing cylindrical towers made of igneous rock. During the first half of 20th century the square around the gate was a meeting point for artists and intellectuals.
MADRE
Very nice museum for contemporary art, with a permanent collection of fascinating, small room installations and temporary exhibitions.
The second most ancient castle of Naples after Castel dell'Ovo, built in 12th century by the Normans over a necropolis for use as a royal palace. It was then used as a residence for distinguished visitors such as Francesco Petrarca, and also as site for royal weddings and ceremonies. In 1503 it became the seat of city's courthouse for almost half a millennium, until the year 1995. Its name derives from its proximity to the road that led to Capua.
Palace of the Spaniard
A late-baroque palace built in 1738 in Rione Sanità, famous for its monumental courtyard staircases with arches in shifting places.
Duomo di Napoli, Cattedrale di Santa Maria Assunta or Cattedrale di San Gennaro
Built in the 18th century, it is the main church of Naples. It is widely known as the Cattedrale di San Gennaro, in honour of Saint Januarius, the city's patron saint. It was built on the foundations of two palaeo-Christian basilicas, whose traces can still be clearly seen. Underneath the building, excavations have revealed Greek and Roman artifacts. The Cathedral is famous for Miracle of the Blood, a recurring miracle taking place on the first Saturday of May and September 19th every year. During the ritual an ampule containing the old dried out blood of Saint Januarius is brought out and stirred; and miraculously liquefies. According to legend, disaster will befall Naples if the blood fails to liquefy. Service times can be found on the cathedral website; for the miracle, you must get there about 90 minutes early to be assured a seat.
The Royal Chapel of the Treasure of St. Januarius next to the cathedral holds the extensive treasure and can be visited for 14€ from 9:30-18:00 o'clock.
Hosts paintings from the 13th to 18th centuries, including major works by Simone Martini, Raphael, Titian, Caravaggio, Masaccio, Sandro Botticelli, Lorenzo Lotto, Giovanni Bellini, Giorgio Vasari, El Greco, Jacob Philipp Hackert. It also hosts the works of the most important Neapolitan painters, like Jusepe de Ribera, Luca Giordano, the Neapolitan Caravaggisti.