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Photo: via Wikimedia Commons, CC BY-SA 3.0
Contains frescoes of the Annunciation and a painting of the Deposition of Christ by the brilliant and weird mannerist painter, Pontormo. They are to be found in the Barbadori Chapel, which is to your immediate right when entering the church.
Santa Felicita is a Roman Catholic church in Florence, region of Tuscany, Italy, probably the oldest in the city after San Lorenzo. In the 2nd century, Syrian Greek merchants settled in the area south of the Arno and are thought to have brought Christianity to the region. The first church on the site was probably built in the late 4th century or early 5th century and was dedicated to Saint Felicity of Rome. A new church was built in the 11th century and the current church largely dates from 1736–1739, under design by Ferdinando Ruggieri, who turned it into a one nave edifice. The monastery was suppressed under the Napoleonic occupation of 1808–1810.
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The oldest and most celebrated bridge over the Arno, and the only Florentine bridge to survive World War II. The design is distinctive: it's a three-arched bridge supporting a parade of shops supporting another bridge. It dates to 1345 (hence Ponte Vecchio, "old bridge"), with earlier bridges being swept away by floods, rebuilt and swept away again. At street level it's a pedestrianised cobbled arch. It's lined by shops, which were butchers until Renaissance times then - in an insight as dramatic as the discovery of perspective in painting - they realised that goldsmiths' shops paid higher rents and didn't stink; so from then to this day it's just been overpriced jewellery shops and market stalls. Above these is the higher bridge, the Vasari Corridor, a private walkway added in 1565 so that the Medici Dukes could move between Palazzo Vecchio (Town Hall) and Palazzo Pitti (their blingy residence) without mixing with common folk. On the south bank, the Corridor nowadays continues as a gallery of the Uffizi, and there is sometimes talk of extending this over the bridge, or otherwise making the space accessible. Nothing's come of this so far, so the common folk will have to continue admiring the scene from street level.
This museum shows the evolution of the instruments used in various scientific fields such as mathematics, physics, biology, chemistry, astronomy. The room of Galileo Galilei shows some of his original instruments as well as models from his drawings. The room of Spheres and Globes houses an excellent cartographic collection. In a rather macabre twist the museum also has the middle finger of Galileo's right hand on display. The museum offer some descriptions in Italian and English but you can access other languages by scanning QR codes (Chinese, French, Japanese, Portuguese, Russian, Spanish, German). The museum offers an open WiFi. It is recommended to have an idea of the principles behind the instruments (as the descriptions on the labels are rather generic). For that, you can download their free audio-guide app available in Italian and English (Google Play, Apple Store) and get an idea of the instruments displayed.
Pitti Palace
The original Pitti was a banker; the palace has housed royalty but became best known for its Medici family treasures. It's now divided into four museums (same ticket): ground floor is the Treasury of the Grand Dukes; first floor houses the Palatine Gallery and the Royal and Imperial Apartments, second floor is the Modern Art Gallery and the Museum of Costume and Fashion. The Boboli gardens are just behind the palazzo.
Outstanding fine art museum with Renaissance paintings and sculptures from classical antiquity. It's in a late 16th-century palazzo designed by Vasari, in two wings enclosing a long narrow courtyard, effectively a street, an innovation in its day. Originally the palazzo was magistrates' offices (hence "Uffizi") and state archives; then it came to house the Medici's vast art collection. However, one collections seems to have crossed purposes: the massive number of standardized portraits, placed in the hallway, seem to have been an ID system for identifying important foreigners when they came to town. The artworks are on the first and second floors, they keep the lifts well hidden. Highlights include Birth of Venus by Boticelli, Dukes of Urbino by della Francesca, Medusa by Caravaggio, Venus of Urbino by Titian, Annunciation by da Vinci, Pope Leo X and family by Raphael, Velasquez' self-portrait, Rembrandt's final self-portrait, and many other big names. Allow three hours for a visit. Uffizi specialises in the Renaissance, so although later styles are represented, examples are few: you don't really come here for the 18th- to 20th-century material. The restaurant/cafè has a large balcony overlooking the main piazza with good views of the Palazzo Vecchio, and naturally their prices reflect the views.
Italian language and cultural school for foreigners. The structure and the contents of the programmes for the levels are based on the Common European Framework of Reference for Languages. The school also organises a programme of cultural activities and excursions to complement the language classes and enable the students to come into contact with the Italian culture and practice Italian in the field.
Old city palace/city hall, adorned with fine art. The replica of Michelangelo's "David" is placed outside the main door in the original location of the statue, which is a symbol of the Comune of Florence. The site displays an important collection of Renaissance sculptures and paintings, including the Putto by Verrochio and the series of murals by Giorgio Vasari at the Salone dei Cinquecento (Hall of the Five Hundreds) - the hall which used to display the now lost Renaissance masterpiece, that is, the so-called Battaglia di Anghiari, by Leonardo da Vinci.