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Photo: Utcursch, CC BY-SA 4.0 via Wikimedia Commons
The worship of the eight Bhairavas is a part of Saivite tradition and the chief among them is Kal Bhairav, believed to have been built by King Bhadresen, on the banks of the Shipra. There is mention of a Kal Bhairav temple in the Avanti Khanda of the Skanda Purana. Worship of Kal Bhairav is believed to have been a part of the Kapalika and Aghora sects. Ujjain was a prominent centre of these two sects. Even today, liquor is offered as a part of the ritual to Kal Bhairav. Beautiful paintings in the Malwa style once decorated the temple walls, only traces of which are visible.
Kal Bhairav temple is a Hindu temple located in the Ujjain city of Madhya Pradesh, India. It is dedicated to Kal Bhairav, the guardian deity of the city. Located on the banks of the Shipra River, it is one of the most active temples in the city, visited by hundreds of devotees daily. Liquor is one of the offerings made to the temple deity.
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Situated about 2 miles from the city of Ujjain, the deity in this temple is believed to have been worshipped by Kalidasa. The legend goes that he was an idiot and it is by his devotion to the goddess Kalika that he acquired great literary skills. Emperor Harshavardhan had this temple renovated in the 7th century AD. There is further evidence of renovation during the Paramara period. The temple has been rebuilt in the modern times by the erstwhile Gwalior State.
These caves are just above the bank of the Shipra near the temple of Gadkalika. According to popular tradition, this is the spot where Bhartrihari, who is said to have been the step brother of Vikramaditya, lived and meditated after renouncing worldly life. He is believed to have been a great scholar and poet. His famous works, Shringarshatak, Vairagyashatak, and Nitishatak, are known for the exquisite use of the Sanskrit meter.
The fact that ancient Ujjain apart from its political and religious importance, enjoyed the reputation of being a great seat of learning as early as the Mahabharata period is borne out by the fact that, Lord Krishna and Sudama received regular instruction in the ashram of Guru Sandipani. The area near the ashram is known as Ankapata, popularly believed to have been the place used by Lord Krishna for washing his writing tablet. The numerals 1 to 100 found on a stone are believed to have been engraved by Guru Sandipani. The Gomti Kunda referred to in the Puranas was the source of water supply to the ashram in the olden days. An image of Nandi, belonging to the Shunga period, is to be found near the tank. The followers of Vallabha sect regard this place as the 73rd seat of the 84 seats of Vallabhacharya where he delivered his discourses throughout India.
This temple is away from the bustle of the city and can be reached through a winding road. The temple looks upon a vast expanse of the Shipra waters and fills the onlooker with an indescribable sense of peace. Mangalnath is regarded as the birth place of Mars, according to the Matsya Purana. In ancient times, it was famous for a clear view of the planet and hence suitable for astronomical studies. Mahadev or Shiva is the deity which is worshipped in the temple of Mangalnath.
This huge temple is in the middle of the big market square. It was constructed by Bayajibai Shinde, the queen of Maharajah Daulat Rao Shinde in the 19th century. It is a beautiful example of Maratha architecture. The sanctum sanctorum is inlaid with marble and doors are silver plated. The door in the inner sanctum is said to have been carried to Ghazni from the Somnath temple and from thence by Mahmud Shah Abdali to Lahore. Mahadji Scindia recovered it and now it has been installed in this temple.
This temple occupies a special place in the galaxy of ancient sacred spots of Ujjain. Seated between the idols of Mahalaxmi and Mahasaraswati, the idol of Annapurna is painted in dark vermilion colour. The Sri Yantra, the symbol of power or shakti, is also enshrined in the temple. According to the Shiva Purana, when Shiva carried away the burning body of Sati from the sacrificial fire, her elbow dropped at this place. There is an interesting legend in the Skanda Purana about the manner in which the Goddess Chandi acquired the epithet of Harsiddhi. Once when Shiva and Parvati were alone on Mount Kailash, two demons called Chand and Prachand tried to force their way in. Shiva called upon Chandi to destroy them which she did. Pleased, Shiva bestowed upon her the epithet of 'one who vanquishes all'. The temple was reconstructed during the Maratha period and the two pillars adorned with lamps are special features of Maratha art. These lamps, lit during Navaratri, present a glorious spectacle. There is an ancient well on the premises, and an artistic pillar adorns the top of it.