
Marathi: मुंबा देवी मंदिर Mumbā Devī Mandir, Gujarati: મુંબાદેવી મંદિર Mumbādevī Mandir
Photo: Magiceye, CC BY-SA 2.0 via Wikimedia Commons
The temple dedicated to the city's patron goddess Mumbadevi, the local incarnation of the Devi (Mother Goddess). The city itself is named after the goddess. The first shrine dedicated to Mumbadevi is believed to have been built by a Koli fisherman in the 1st century BCE, on the site now occupied by CSMT. The temple is about six centuries old, believed to be the handiwork of Mumbaraka, a sadistic giant who frequently plundered the city at the time. Newly-married Hindu couples visit the shrine soon after marriage, seeking blessings from the goddess for a happy married life.
Mumba Devi Temple is a Hindu temple in Mumbai, Maharashtra, India, dedicated to the goddess Mumbā, the local incarnation of the Parvati. Mumba Devi is the goddess of the city of Mumbai. The name Mumbai is derived from Mumba Devi.
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Jumma Masjid
It was constructed in 1802 on the tank. In the eighteenth century, this tank was situated in the midst of gardens and open land and belonged to a Konkani Muslim merchant trading in Goa, and Calicut, who, about 1778, agreed to the erection of a mosque on the spot, provided the tank was preserved intact. A one-story building was therefore erected over the tank and formed the original nucleus of the present Jama Mosque. The Jama Mosque is a quadrangular pile of brick and stone, encircled by a ring of terrace roofed and double-storied buildings, the ground floors of which are let out as shops. The chief or eastern gate of the mosque leads directly across an open courtyard to the ancient tank, which is now furnished with masonry steps and embankments, built in 1893, and contains about three meters of stagnant water, filled with gold and silver fish. From the depth of the tank rise sixteen black stone arches, constructed in 1874, which support the whole fabric of the mosque, the upper story being upheld by five rows of wooden pillars, each of which contains a receptacle for sacred books. The arches in the tank were built in 1874.
श्री स्वामीनारायण मंदिर Śrī Svāmīnārāyaṇ Mandir
It has a tri-spire structure and the idols installed are that of Laxminarayan Dev with Ghanshyam Maharaj, and Radha Krishna Dev with Hari Krishna Maharaj. In this temple, Radha Krishna is worshipped in the form of Radha Golokvihari as they are the residents of Goloka. It is a Shikharband Mandir and comes under the Laxminarayan Dev Gadi (Vadtal).
Shaar Harahamin Synagogue
The oldest synagogue in Mumbai. It dates back to 1796 and is a Bene Israel (Children of Israel) Synagogue. For the first few decades, the Bene Israel Jews carried out their prayers in private places and burrowed halls but with a growing number of members they need a proper synagogue. A proper synagogue, which not only will serve as a physical place for prayer but also serve as a spiritual, educational, and social centre for the Jews of Mumbai. The synagogue was constructed by the sole efforts of Jewish military officer Samuel Ezekiel Diveker of the Bombay Army. It came to be known as the Samaji Hasiji, or Samuel’s Synagogue. As members grew the synagogue was short of space and by the mid-19th century, they need a bigger synagogue. The old building was demolished and a was replaced with a larger building and it was consecrated as a new synagogue on 24 March 1860. During the centenary celebration of the Synagogue, it was renamed the Shaar Harahamin Synagogue. The two-storey synagogue is located in a very congested area of south Mumbai and two marble plaques on the walls and a couple of stars of David on the walls and gate are the only signs of a synagogue. The interiors have grey marble floors and large windows. The plans are the same as other synagogues with a central pavilion and first-floor ladies' balcony.
Gateway of Desire Synagogue
Constructed in 1843, the Shaare Rason Synagogue, literally meaning the "Gateway of Desire Synagogue" is the second oldest synagogue of Mumbai and belongs to the Bene Israel Jews. It is near the older Shaar Harahamin and with the construction of the new synagogue Shaar Harahamin Synagogue came to be known as the Old Synagogue and Shaare Rason the New Synagogue. The New Synagogue was constructed by voluntary contribution raised by a group formerly affiliated with the Old Synagogue who have become dissatisfied with its management. This group set out to establish their own, independent congregation. The Sharee Rason Synagogue is in a congested area and is surrounded by high walls. The main gateway is detailed with a pediment with an inscription and a pair of wooden doors opening into the synagogue compound. The building's ornamentation includes simple modelling, unadorned pilasters, and a recessed panelled roof parapet crowned by a swooping feature that reflects the one atop the gate pediment. The projection includes a Hebrew verse, the name of the synagogue in Hebrew and a Star of David. The sloping roofs are framed with flat ceramic tiles. As the synagogue has only one floor the ladies gallery lies on the east. The wooden central pavilion is fitted with brass ornamentation corners fitted with a miniature menorah.
Arabic: روضة طاهرة Rawḍat Ṭāḥira
This is a white-marble Fatemi shrine. The marble used in the mausoleum was quarried from the Chosira and Ulodi quarries of the famed Makrana quarries in Rajasthan, from where marble for Taj Mahal was quarried. - The mausoleum rests on 92 piles. The number 92 is significant in that it represents the Arabic isopsephical value of the name of Muhammad. The complete structure weighs 5000 tons. The mausoleum rises to a height of 33m, which is the Arabic isopsephical value of the word Ḥaqq. The dome is 16m high as its crowning feature. The very first brick laid down for the construction of the dome was done by Mufaddal Saifuddin in the presence of his father. A 3.7m high gold finial stands sentinel over the dome. There are four smaller domes, one at each corner of the central dome, each with a gold finial to match its larger prototype, and perfect the setting against the azure sky. The dome and cornice are inspirations from the Juyushi Mosque, Cairo. The four walls of the mausoleum have a 1.2-m- and 15-cm-thick masonry wall, with 7.6-cm cladding on both sides, making its final thickness of 1.5 m, which reflects the members of Ahl al-Bayt. The outer walls are decorated with the names of the Ahl al-Bayt and the Fatimid Imams as well as the Duʿāt Mutlaqīn in the Kufic script. The four entrance doors to the shrine have been specially designed to match the entrance gate of Aqmar Mosque in Cairo built by Imam-Caliph Manṣūr al-Āmir bi'Aḥkāmi l-Lāhi. The entrances are adorned with four silver doors of Fatimid style and lead to the sanctum sanctorum of the tomb. There are five arches above each of these four doors, called Raudat Tahera; Bab-e Hakimi, so named after his ancestor, Abdul Qadir Hakimuddin, whose mausoleum is in Burhanpur, Madhya Pradesh; Bab-e Zaini, so named after the 45th Da'i al-Mutlaq, Tayyab Zainuddin, his great-grandfather, whose tomb is in Surat. The entrance facing north is called Bab-e Fakhri, so named after his ancestor, Fakhruddin Shaheed, whose mausoleum is in Galiyakot, Rajasthan.