Ferry Wharf

Mumbai once had a flourishing Chinatown, today the Kuan Kung Temple in Mazagaon is the only remaining trace of the once vibrant Chinese community of Mumbai. After the 1962 Sino-Indian War, most Chinese were viewed as traitors, and left town. The temple is housed in a two-storey building, with bright red entry doors. Wooden stairs lead to the first floor housing a shrine of Kwan Tai Kwon, the Chinese god of war. There is a painting above the altar of the Chinese gods of justice, protection, and courage. It is thronged by devotes and the local Chinese population during the Chinese New Year and Moon festival.

A park atop Bhandarwada Hill and offers a panoramic view of the Mumbai Harbour and the southern business district of the city. Beneath the gardens is a water reservoir, constructed between 1880–1884. The park is frequented by neighbourhood residents. It is mostly patronised by couples, joggers, senior citizens, and students who find peaceful corners to study. Cycas, ixora, musanda, bougainvillea, and hibiscus are some of the plants found in the garden.

Constructed in 1843, the Shaare Rason Synagogue, literally meaning the "Gateway of Desire Synagogue" is the second oldest synagogue of Mumbai and belongs to the Bene Israel Jews. It is near the older Shaar Harahamin and with the construction of the new synagogue Shaar Harahamin Synagogue came to be known as the Old Synagogue and Shaare Rason the New Synagogue. The New Synagogue was constructed by voluntary contribution raised by a group formerly affiliated with the Old Synagogue who have become dissatisfied with its management. This group set out to establish their own, independent congregation. The Sharee Rason Synagogue is in a congested area and is surrounded by high walls. The main gateway is detailed with a pediment with an inscription and a pair of wooden doors opening into the synagogue compound. The building's ornamentation includes simple modelling, unadorned pilasters, and a recessed panelled roof parapet crowned by a swooping feature that reflects the one atop the gate pediment. The projection includes a Hebrew verse, the name of the synagogue in Hebrew and a Star of David. The sloping roofs are framed with flat ceramic tiles. As the synagogue has only one floor the ladies gallery lies on the east. The wooden central pavilion is fitted with brass ornamentation corners fitted with a miniature menorah.

The oldest synagogue in Mumbai. It dates back to 1796 and is a Bene Israel (Children of Israel) Synagogue. For the first few decades, the Bene Israel Jews carried out their prayers in private places and burrowed halls but with a growing number of members they need a proper synagogue. A proper synagogue, which not only will serve as a physical place for prayer but also serve as a spiritual, educational, and social centre for the Jews of Mumbai. The synagogue was constructed by the sole efforts of Jewish military officer Samuel Ezekiel Diveker of the Bombay Army. It came to be known as the Samaji Hasiji, or Samuel’s Synagogue. As members grew the synagogue was short of space and by the mid-19th century, they need a bigger synagogue. The old building was demolished and a was replaced with a larger building and it was consecrated as a new synagogue on 24 March 1860. During the centenary celebration of the Synagogue, it was renamed the Shaar Harahamin Synagogue. The two-storey synagogue is located in a very congested area of south Mumbai and two marble plaques on the walls and a couple of stars of David on the walls and gate are the only signs of a synagogue. The interiors have grey marble floors and large windows. The plans are the same as other synagogues with a central pavilion and first-floor ladies' balcony.

This is a white-marble Fatemi shrine. The marble used in the mausoleum was quarried from the Chosira and Ulodi quarries of the famed Makrana quarries in Rajasthan, from where marble for Taj Mahal was quarried. - The mausoleum rests on 92 piles. The number 92 is significant in that it represents the Arabic isopsephical value of the name of Muhammad. The complete structure weighs 5000 tons. The mausoleum rises to a height of 33m, which is the Arabic isopsephical value of the word Ḥaqq. The dome is 16m high as its crowning feature. The very first brick laid down for the construction of the dome was done by Mufaddal Saifuddin in the presence of his father. A 3.7m high gold finial stands sentinel over the dome. There are four smaller domes, one at each corner of the central dome, each with a gold finial to match its larger prototype, and perfect the setting against the azure sky. The dome and cornice are inspirations from the Juyushi Mosque, Cairo. The four walls of the mausoleum have a 1.2-m- and 15-cm-thick masonry wall, with 7.6-cm cladding on both sides, making its final thickness of 1.5 m, which reflects the members of Ahl al-Bayt. The outer walls are decorated with the names of the Ahl al-Bayt and the Fatimid Imams as well as the Duʿāt Mutlaqīn in the Kufic script. The four entrance doors to the shrine have been specially designed to match the entrance gate of Aqmar Mosque in Cairo built by Imam-Caliph Manṣūr al-Āmir bi'Aḥkāmi l-Lāhi. The entrances are adorned with four silver doors of Fatimid style and lead to the sanctum sanctorum of the tomb. There are five arches above each of these four doors, called Raudat Tahera; Bab-e Hakimi, so named after his ancestor, Abdul Qadir Hakimuddin, whose mausoleum is in Burhanpur, Madhya Pradesh; Bab-e Zaini, so named after the 45th Da'i al-Mutlaq, Tayyab Zainuddin, his great-grandfather, whose tomb is in Surat. The entrance facing north is called Bab-e Fakhri, so named after his ancestor, Fakhruddin Shaheed, whose mausoleum is in Galiyakot, Rajasthan.

Here in Tadwadi a B.I.T. Chawl's big Colony is also situated. This Tadwadi area is also famous for its dahi-handis. From this area, only the world’s most famous second manual tower forming Mandals are operating in Mumbai.