//
Photo: Ratnesh1948, CC BY-SA 4.0 via Wikimedia Commons
Often called the symbol of Chittor and a particularly bold expression of triumph, was erected by Rana Khumba between 1458 and 1468 to commemorate his victory over Mahmud Shah I Khalji, the Sultan of Malwa, in 1440. Built over a period of ten years, it raises 37.2 m (122 ft) over a 4.4 m² (47 ft²) base in nine stories accessed through a narrow circular staircase of 157 steps (the interior is also carved) up to the 8th floor, from where there is good view of the plains and the new town of Chittor. The dome, which was a later addition, was damaged by lightning and repaired during the 19th century. The tower is now illuminated during the evenings and gives a beautiful view.
The Vijaya Stambha is a Rajput victory monument located within Chittor Fort in Chittorgarh, Rajasthan, India. The tower was constructed by the Hindu Rajput king Rana Kumbha of Mewar in 1448 CE to commemorate his victory over the army of Sultanate of Malwa led by Mahmud Khilji in the Battle of Sarangpur. The tower is dedicated to Hindu God Vishnu. Colonel James Todd considered it one of the finest examples of Hindu Rajput architecture and superior to Qutub Minar.
© OpenStreetMap contributors
Gau Mukh Kund
A deep tank filled by a spring coming from a 'cow mouth', situated at the edge of the cliff. It is considered to be sacred where you can feed the fishes.
Mirabai Temple
Built by Maharana Kumbha in 1449, this lord Vishnu Temple has beautiful idols in its sanctum, mendap and pillars. In the same premises, there is a small temple of Lord Krishna.
Across from Padmini’s palace is the Kalika Mata Temple, Chittorgarh Fort. A Sun temple dated to the 8th century dedicated to Surya -the sun-god, was destroyed in the 14th century. It was rebuilt as a Kali temple.
At the entrance gate near the Vijaya Stamba, Rana Kumbha's palace (in ruins), the oldest monument, is located. The palace included elephant and horse stables and a temple to Lord Shiva. Maharana Udai Singh, the founder of Udaipur, was born here; the popular folk lore linked to his birth is that his maid Panna Dhay saved him by substituting her son in his place as a decoy, which resulted in her son getting killed by Banbir. The prince was spirited away in a fruit basket. The palace is built with plastered stone. The remarkable feature of the palace is its splendid series of canopied balconies. Entry to the palace is through Suraj Pol that leads into a courtyard. Rani Meera, the famous poetess saint, also lived in this palace. This is also the palace where Rani Padmini, consigned herself to the funeral pyre in one of the underground cellars, as an act of jauhar along with many the other women. The Nau Lakha Bandar (literal meaning: nine lakh [900 000] treasury) building, the royal treasury of Chittor was also located close by. Now, across from the palace is a museum and archeological office. The Singa Chowri temple is also nearby.
Queen's Palace
This palace, a white building, a three storied structure (a 19th century reconstruction of the original), is located in the southern part of the fort. Chhatris (pavilions) crown the palace roofs and a water moat surrounds the palace. This style of palace became the forerunner of other palaces built in the state with the concept of Jal Mahal (palace surrounded by water). It is at this Palace where Alauddin was permitted to glimpse at the mirror image of Rani Padmini, wife of Maharana Rattan Singh. It is widely believed that this glimpse of Padmini's beauty besotted him and convinced him to destroy Chittor in order to possess her. Maharana Rattan Singh was killed and Rani Padmini committed Jauhar. Rani Padmini's beauty is compared to that of Cleopatra and her life story is an eternal legend in the history of Chittor, in particular and of the Mewar state in general.
Tower of Fame
Kirti Stambha ("Fame Tower") is a 22 m (72 ft) high tower built on a 9.1 m (30 ft) base with 4.6 ft (1.4 m) at the top, is adorned with Jain sculptures on the outside and is older (probably 12th century) and smaller than the Victory Tower. Built by a Bagherwal Jain merchant Jijaji Rathod, it is dedicated to Adinath, the first Jain tirthankar (revered Jain teacher). In the lowest floor of the tower, naked figures of the various tirthankars of the Jain pantheon are seen in special niches formed to house them. A narrow stairway with 54 steps leads through the six stories to the top. The top pavilion that was added in the 15th century has 12 columns.