Chitrakarini Temple

This temple complex houses four temples and the stone-lined pond named Papanasini. The temples are Papanasini, Baneswar, Maitreswara and Varunesvara and were not constructed at the same time. Papanasini is the smallest of the four temples and is on the north west corner of the complex. It is a very small temple dating back to 14th century CE. Next to it on the northern boundary of the complex is the Baneswar Temple. Again a very small temple dating back to 9th century CE, making it the oldest temple in the complex. At the centre of the complex stands the Maitreswara Temple the largest and the most prominent structure of the Papanasini Temple Complex. The temple consists of an interlinking jogmohan and a collapsed vimana. Its construction dates back to the 12th and 14th century and corresponds to the rule of Ganga Dynasty. Varunesvara Temple is the second largest temple of the complex and lies just north of the Papanasini tank. This is the newest temple of the complex. It was probably constructed in the 15th century by Kapilendra Deva, the founder of Gajapati dynasty. Both the jagmohan and viman of this temple has remained intact. The stone lined tank of Papanasini lies at the southern end of the complex. According to legend, a saga meditated in this area for a long time without food and water for a long time and finally, Lord Shiva appeared. The sage wished for the construction of a tank that would be filled with holy water to cleanse the sins of human beings. The Lord granted his wish and hence the name Papanasini, literally meaning “cleanser of sins”. According to historians, the pond was constructed in 11th century.

The 10th or 11th-century temple of Bhubaneswar has been described as "the truest fusion of dream and reality". A rare masterpiece, the Lingaraja temple has been rated one of the finest examples of a purely Hindu temple in India by Ferguson, the noted art critic and historian. Every inch of the surface of the 55 m-high Lingaraja temple is covered with elaborate carvings. Sculpture and architecture fused elegantly to create a perfect harmony. Non-Hindus are not permitted inside; however, there is an elevated viewing platform next to one of the boundary walls. To reach the platform, face the temple's main entrance and walk around to the right. There is a laneway leading to the back of the temple and the platform. Shoes, cameras, mobile phones and bags are prohibited inside the temple complex, you have to submit them at the counter at the left. The platform offers a good vantage point to photograph the temple. Just be careful of the scammers who try to befriend you, saying they are in charge of the temple, then make you sign into the "guestbook", which is just the notebook full of random names and "donations", forcing you to "donate" as well. One of them reports any foreign people in the viewpoint to the second one, who comes later on the blue scooter, trying to trick you. As of December 2024, this exact scam continues to exist with the same individuals. Firmly refuse to sign the donation book at the viewing platform and they will leave you alone. Near the temple is Bindu Sarovara, a large lake that is reputed to have a drop of water from each of all the holy rivers of India.

Sukha Sari is a temple complex housing the Sukha, Sari and another unnamed temple. Located on the northern end on the complex the west facing Sari Temple is the largest temple of the complex. Built in typical Odiya style is consists of the interconnected jagmohan and viman. It was probably built during the 13th century and corresponds to the Ganga dynasty. The temple has intricate ornamentation on the outer walls including human figures, deities, scroll work and floral motifs. The northern niche contains a beautiful statue of Parvati, Sadly the statues in the other two niches have gone missing. The temple complex has gone through an extensive archaeological excavation in 2014 revealing lower parts of the temple, which have been buried for centuries. The excavation also unearthed the remains of a further five temples, some of which may date back as early as the 7th century CE. Sarai temple lies south of the Sukha temple. It was built during the same time as Sukha Temple. The temple is west facing and consists of only the vimana, but the jagmohan footprints are clearly visible on the stone platform. The ornamentation of Sari is subjected to severe weathering but a few panels have remained intact over centuries and demand a closer look. The compound also houses a third nameless temple, consisting of the vimana only.

A simple temple following the simple Odiya architecture. It was probably constructed in the 14th century and corresponds to the later Gangaa Dynasty. The temple has only traces of ornamentation, and includes sculptures of Ganesha, Kartikeya and Parvati, housed in their respective central raha niches. The complex also houses a subsidiary shrine located in the south west corner of the complex. It was probably built at an earlier date.

According to legend, the temple is named after Mohini Devi, queen of Sivakara II of the Bhauma (Kara) dynasty, but historians doubt regarding it. The temple dedicated to Devi Chamunda and is severely encroached upon.

The 13th-century Shiva Temple is built in the traditional Odiya plan and consists of the two interconnected sections of jagmohan and vimana. Immediately to the north of the temple is a subsidiary shrine. The other wall of the temple and the subsidiary shrine lacks detailed carvings and the niches are empty. The idol of Lord Lingaraj is brought here on the 6th day after Shivaratri.