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The museum, which opened in 2009, has startling architecture, including an entrance made of silver-hued titanium that is shaped like a flying saucer on steroids (or an enormous antacid tablet). In yet another attempt to lure the unwilling into museums, this one has what is described as an "aerial corridor," which will whisk visitors above the exhibits, as they give passing glances at whatever catches their fancy. If you go through the museum room by room, you'll see themed exhibits on private and public life from antiquity through the Byzantine epoch. Entire period houses have been reconstructed and a necropolis is on view.
© OpenStreetMap contributors
Greek: Kastro
which offers a good view of the city. The castle of Patras was built in the second half of the 6th century AD on the ruins of the ancient Acropolis. In AD 805 the inhabitants of the city were besieged in the castle by the Slavs and Saracens and their victory, considered a miracle of the city's patron Saint Andrew, was important for repelling the barbarian invasions in Peloponnese. In the following centuries the castle, which remained continuously in use until the Second World War for the defense of the city, as well as an administrative and military centre, was captured by the Franks, Venetians, Palaiologoi and Turks. The castle consists of a triangular outer enclosure reinforced with towers and bastions, which was originally protected by a deep moat and an inner enclosure rising on the NE angle and protected by a moat as well. The building phases distinguishable today on the castle provide evidence for the works carried out by each of its conquerors as repairs and provisions according to the development of military science. The original construction is visible today mainly along the north wall, but remains of it exist on all three sides of the curtain indicating that the original medieval fortification had more or less the same perimeter. To reach the castle one can either travel up the vast staircase or take the short drive to the top. Once reaching the historic site, visitors have the ability to sit and enjoy the view over refreshments.
Designed by the famous German architect Ernst Ziller, the Apollon Theater was completed in 1872. It is a micrography of the La Scala in Milan
Hamam
The Turkish hot baths are still in use.
Greek: Plateia Georgiou
Sit at a cafe and take in the façades of the handsome neoclassical theater and banks on the square. Patras was burned by the Turks during the War of Independence and has been hit repeatedly by earthquakes. These buildings are among the few that remain from the 19th century, when the city was famous for its arcaded streets and neoclassical architecture. Patras boasts other attractive squares: Plateia Olga and Plateia 25 Martiou have cafes, restaurants, and shops
The Roman Odeon is on the west side of Patras. It was built before the Odeon of Athens and there was a statue of Apollo inside it. The Odeon of Patras was severely destroyed by successive invasions, wars and earthquakes. It was almost buried under the remains of other buildings and ground. It was in 1889, when the Odeon was found by accident while some workers were digging up the ground for the construction of the port. The restoration of the Odeon continued until 1956, when it regained its original shape. Along with the restoration process of the Odeon, the nearby areas were declared as archaeological sites. The Roman Odeon today functions as the chief venue for the Patras International Festival, held every summer. The Odeon has a capacity to hold 2,300 people, with all basic facilities of a theatre such as hollow, orchestra, proscenium, scene and wings.
Founded in 1988 housed on the ground floor of the Municipal Library, beside the Old Town Hall, a location with many historical memories. The Municipal Gallery of Patras boasts of one of the richest painting collections dedicated to Greek painters, outside Athens. Of special interest and precious value, are the works of the 19th century, by Greek painters like: Nikos Kounelakis, Andreas Kriezis, Ioannis Doukas and Georgios Samartzis, as well as the portraits of Greek prime ministers, originated from Patras, as: Demetrios Maximos, Demetrios Gounaris and Andreas Michalakopoulos.