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Photo: Pedelecs, CC BY-SA 3.0 via Wikimedia Commons
German historical museum covering everything from pre-history up to the present day. One can spend many, many hours here! The building from 1695/1730 was the Zeughaus (Arsenal) until 1876.
The German Historical Museum, known by the acronym DHM, is a museum in Berlin, Germany devoted to German history. It describes itself as a place of "enlightenment and understanding of the shared history of Germans and Europeans". It is often viewed as one of the most important museums in Berlin and is one of the most frequented. The museum is located in the 17th-century Zeughaus (armoury) on the Unter den Linden, just across the Spree River from Museum Island. The museum's attached Exhibition Hall was designed by I. M. Pei in the late 20th century. The Zeughaus is closed for renovation, while the Exhibition Hall remains open.
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New Guardhouse
Erected in 1818 to a classically-inspired design by Karl Friedrich Schinkel as a guardhouse for the imperial palace, since 1993 this compact building has housed a small, but extremely powerful war cenotaph, the Central Memorial of the Federal Republic of Germany, continuing its use under East German rule as the primary "Memorial to the Victims of Fascism and Militarism". The interior of the Doric column-fronted building is intentionally empty, but for a small but moving sculpture by Käthe Kollwitz depicting a mother cradling a dead child. The statue is positioned beneath a round hole in the ceiling, exposing the figures to the rain and snow.
Berlin State Opera
The impressive building and royal history make the building alone worth a visit. The building reopened in December 2017 after extensive refurbishments and acoustic improvements. The general music director of the Staatsoper and its resident orchestra, Staatskapelle Berlin, is the conductor Daniel Barenboim.
The smallest municipal theatre in Berlin. It was an important venue for contemporary theatre in the German Democratic Republic (GDR). Nowadays its program continues with its political critique. Next to productions of classics, it has a big focus on new and contemporary writing and productions. It aims at being open to anyone regardless of their background. Sometimes plays the 3 Pennys Opera by Brecht.
Friedrichswerder Church
Nice church near Unter den Linden/Museum Island, finished in 1830 by Schinkel in English Neogothic style. Nice exhibition inside (neoclassical statues and an exhibition about Schinkel's life and work upstairs).
The main floor houses the antiquities collection in an ongoing exhibit called "Neue Antike im Alten Museum" (New Antiquities in the Old Museum). Directly through the front door, entering from the Lustgarten (Pleasure Garden, now under reconstruction), there is a domed rotunda with red and white cameos, Greek-style, with statues of the gods. To reach the Hildesheim silver collection, go to the back of the rotunda, turn left, walk through the long gallery and turn left into a small room at the end.
formerly Opernplatz
Nazi Propaganda Minister Josef Goebbels made Bebelplatz (then called Opernplatz) infamous on 10 May 1933, when he used the square across from Humboldt University to burn 20,000 books by "immoral" authors of whom the Nazis did not approve. Their list included Thomas and Heinrich Mann, Arnold Zweig, Kurt Tucholsky and Sigmund Freud. Today a monument is the reminder, though it blames Nazi students for the episode. When entering the square it's easy to miss the monument. It is in that part of Bebelplatz bounded on one side by the Opera House and on the other side by Humboldt University. Look dead centre: the monument is underground. A piece of plexiglass allows the viewer to look underground into a large, white room, filled with entirely empty, blank white bookcases. The room is large enough to hold the 20,000 books that were burnt. The absence of books reminds the viewer just what was lost here: ideas. But the event did reveal things to come, as ethnically Jewish author and philosopher Heinrich Heine, whose books were burned, let one of his characters say in an 1821 play: "This was only the foreplay. Where they burn books, they will also burn people." He was correct.