Savignyplatz

Popular theatre with TV celebrities in modern plays.

A historic theatre in the former West Berlin, only musicals today.

Käthe Kollwitz's reputation as a social activist who used art as a means to express her support of pacifism was hard-won. Her son was killed in the World War I, after which her art took a turn for the morose. When her grandson was killed in World War II, her art became even darker and more brooding as she contemplated the huge loss of life Germany had suffered. Her own losses and those of the nation affected her art. After the war, ever-present artistic themes for Kollwitz - death, violence, war, misery, guilt and suffering - took shape as the drawings, prints, sculptures, original posters and woodcuts housed in this museum.

Admission €8, discounted €4, young people up to the age of 18 free. Guided tours every Th 18:00 and Su 16:00.

Used by the Komische Oper and temporarily as venue for the Komödie am Kurfürstendamm (im Schiller Theater). Between 2010 and 2018 it was used as temporary venue for Staatsoper Unter den Linden.

Also known as "der hohle Zahn" (the Hollow Tooth), this church in Breitscheidplatz is a memorial to Kaiser Wilhelm, and one of Berlin's most famous landmarks. Thick walls and plain decor mark it as neo-Romanesque, but with what's left of the Gedächtniskirche, it's tough to distinguish it as any one style. Allied bombing left only one tower standing on 22 November 1943, but a new location for worship designed by Egon Eiermann was completed in December 1961 (it's the octagonal structure with blue stained glass windows). There is a small memorial museum beneath the tower filled with artifacts from the original church, which was built from 1891-95 to architect Franz Schwechten's specifications.
Controversy arose after the war over the various options presented by the half-ruined cathedral - should it be torn down completely and rebuilt? Or should the destroyed sections be left standing as a memorial? The four major sections of the Kaiser-Wilhelm-Gedächtniskirche (central space, foyer, new tower and chapel) surround the ruined tower of the old church bridge and show the time gap between old and new. Mosaics and other remnants from the old church serve as a monument against war.