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Photo: Palagret [1], CC BY-SA 2.5 via Wikimedia Commons
Built adjoining the now-lost royal palace of the Tuileries, these gardens lying immediately west of the Louvre offer a central open space for Parisians and visitors with semi-formal gardens (an outdoor gallery for modern sculpture), various cafés, ice cream and crépe stalls, and a summer fun fair. The gardens are frequently home to a giant Ferris wheel and enclose the Musée de la Orangerie and the Jeu de Paume.
The Tuileries Garden is a public garden between the Louvre and the Place de la Concorde in the 1st arrondissement of Paris, France. Created by Catherine de' Medici as the garden of the Tuileries Palace in 1564, it was opened to the public in 1667 and became a public park after the French Revolution. Since the 19th century, it has been a place for Parisians to celebrate, meet, stroll and relax. After the demolition of the main block of the Tuileries Palace in the 1880s, the gardens expanded into the Place du Carrousel, the palace's former internal courtyard. Covering an area of 25.5 hectares, it is one of the most iconic parks in Paris. During the 2024 Summer Olympics and Paralympics, it was the site of the Olympic and Paralympic cauldron.
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Built during the First Empire, in imitation of the Orangerie, this small building is used by the Galerie Nationale to display temporary exhibitions of art photography, either contemporary or historic. This museum once housed many of the Impressionist painters that are now to be found in the Musée d'Orsay on the other side of the River Seine.
Musée de la Orangerie
Reopened after extensive renovations, this small museum near the Louvre houses the Jean Walter and Paul Guillaume Collection, sold to the French Republic on very generous terms and numbering 143 paintings from the late 19th century and the first half of the 20th century (15 Cézannes, 24 Renoirs, 10 Matisses, 12 Picassos, 28 Derains, 22 Soutines). The collection joined the eight immense Water Lilies that Monet gave France in 1922 and which have been displayed since 1927 in two huge oval rooms purpose-built on the artist's instructions.
The centrepiece of a magnificent 8-sided square first laid out in 1699 to show off an equestrian statue of the Sun King, Louis XIV. The statue was removed amid revolutionary fervor in 1792 and replaced in 1806 with the Colonne de la Grande Armée. This was modelled on Trajan's column in Rome and decorated with Napoleon's military exploits. The present column is a replica, however, as the original was pulled down during the 1871 Paris Commune. Place Vendôme represents the best of well-heeled Paris, being home to an abundance of exclusive boutiques, jewellers and fashion labels—Cartier, Boucheron, Trussardi, van Cleef & Arpels—several banks, the French Ministry of Justice, and the Hôtel Ritz.
A monument to the French art de vivre, housed in a 19th-century wing of the Louvre that has been restored to beaux-arts splendour, its galleries and period rooms showcase eight centuries of Gallic taste in interior decoration.
Théâtre-Français, La maison de Molière
The theatre is one of the rare state theatres in France. The company's primary venue is the Salle Richelieu. It was enlarged and modified in the 1800s, then rebuilt in 1900 after a severe fire. The played repertoires sum to around 3,000 works.
Its exhibits come from such diverse origins as ancient Egypt, classical Greece and the Roman Empire, medieval Europe, and Napoleonic France, but controversially including many items that were looted from their places of origin. Its most famous exhibit, of course, is Leonardo da Vinci's painting of the Mona Lisa (French: La Joconde, Italian: La Gioconda), generally to be found surrounded by hordes of camera-flashing tourists. The Louvre poses many of the same challenges to the visitor as Paris itself; overwhelming in size, crowded in high seasons, and much information available only in French. If you want to see everything in the Louvre, plan at least two full days. However, it is better to pick and choose, as the collection was assembled with an eye to completeness rather than quality. As of July 2019, due to intense crowding and reports of ticket fraud, entry now almost always requires a pre-booked timed ticket, even for holders of the Paris Museum Pass.