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The Victor-Hugo square is an octagonal square located in the basse ville, not too far from the Notre-Dame-des-Ardents church. In the middle of this square lies an obelisk with a fountain. Surrounding this square are many old stone houses.
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The Hôtel de Ville (Town Hall) on the Place des Héros (and not the Grand' Place) was destroyed during the war but has been recreated in its original style. The dominating belfry (beffroi) is 77 m high, or 326 steps and offers a great view of the city of Arras. Building had begun in 1463, but it was a century later in 1554 before the work was completed (by comparison the Hôtel de Ville took just four years to construct). The belfry was built in Gothic style. A 2-m-tall statue of the golden lion holding the sun can be found at the top of the bell tower. It was installed under Louis XIV (hence the sun found in its paws). The statue found at the top of the belfry is the reproduction of the original which sits in the Museum of Fine Arts in Arras (the original being damaged due to the bombings during World War I). During this period, the belfry was destroyed and it was rebuilt later, just as it had originally been with a concrete structure by the chief architect of historic monuments Pierre Paquet along the town hall of Arras. The belfry is a historical monument. Since 2005, the belfry of Arras is listed as a World Heritage Site by UNESCO in category: Belfrys of Belgium and France. The local Tourist Information Office is in an office on the left as you go in and it is open every day except Christmas and the New Year. Below, in the basement are the underground chambers - the Boves. These can be visited on tours, and give a glimpse of an area used by the British army as a field hospital. The Boves are still used today by the locals and some sections have even been turned into restaurants. During the war they were used for sheltering soldiers and afterwards the returning towns people took refuge there whilst they rebuilt their shattered town.
The Boves of Arras are a collection of underground chambers (galleries connecting individual cellars) that men have gradually dug since the tenth century. The existing network is of remarkable length and excellent condition. These quarries were dug when local builders used great blocks of chalk to build the town's most important buildings. These tunnels were also used as shelters by the Arrageois during times of war, invasions, bombings... These undergrounds were also used by the British during World War I to install a small hospital. Columns of sandstone or limestone pillars support the vaulted halls and stairways that allow residents to store food in the cellars at constant temperature of 11 °C, which, as some of you may know, is ideal for wine storage!
The Abbey of Saint-Vaast, subject to the Benedictine rule, was founded in 667 on the hill of La Madeleine near Arras. It was around the abbey that the village grew, on the banks of the Crinchon river. Since 1825, it home to the Museum of Fine Arts in Arras.
Installed in the Art Deco buildings of an old miner's lamp factory (transformed by the famous architect Jean Nouvel), Cité Nature is a cultural and scientific center dedicated to food, agriculture, nature and health. 2500 m² of permanent exhibitions are about the environment, food, technology, history, and 1500 m² of various gardens, there is also a hall for meetings and exchanges. At Cité Nature one can participate in wine tastings, discussions with artists, listen to music, and watch shows.
Historial de la Grande Guerre Péronne
Near the heart of the World War I Somme battlefields, it is housed within the Château de Péronne, a castle in the town of Péronne. It represents the everyday life of the soldiers at the front during that harsh time as well as the life of the civilians and the huge social changes. It has two major permanent specialist exhibits: (1) Prisoners of War - the exhibition deals with all aspects of captivity: the food, for example, was insufficient and of poor quality; illness was rife; and prisoners of war were required to work hard; and (2) Children in World War I - for some, World War I was seen as a means of defending civilisation against barbarism, to protect the future of children. The image of the child was thus frequently used in posters, notably for recruitment.