An interesting manor house, built in 1877-79 in the style of eclecticism. The porch, for example, bears a clear shade of neo-Gothic, and the building itself is closer to classicism. Nowadays, the estate is privately owned and essentially abandoned.
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Christmas Church / Church of Nativity of the Most Holy Mother of God / Estonian Orthodox Church of Moscow Patriarchate / MPEÕK Rakvere Jumalaema Sündimise kirik
The original church was a two-storey building purchased according to an order of the Russian Emperor Nicholas I and the Most Holy Synod in 1839. Parishioners of the church were families of the orthodox merchants, city officials, teachers of the local educational institutions, and soldiers of border guards. From the middle of the 19th century the size of the parish was increased by Estonian peasants, who had adopted the Orthodox faith. It was completely rebuilt at the beginning of the 20th century. Consecration of the temple was done by the Archbishop of Riga and Mitava Agaphangel (Preobrazhensky). Nowadays, it looks like a strange, very provincial, rather boring variation of the pseudo-Russian style, but it looks very unusual for the Baltic landscape. The interior is modest and mostly wooden, containing the holy remains of the martyred priest Sergei Florinski (Sergius of Rakvere), brought here in 2003, which are the only public holy remains in Estonia. Sergei was a chaplain, who was shot by the order of Estonian Labour Commune in Rakvere on December 30th, 1918.
Eesti politseimuuseum
A largely interactive museum, designed to tell visitors about the daily work of police. You can check your reaction behind the wheel of a car, take fingerprints, or look at a forensic laboratory. For children this will be especially interesting.
The pride of the locals. It is believed that Rakvere is the smallest city in the world, which has its own theatre and theatrical company. This location is the historical centre of Rakvere: ancient Estonian settlements were located here, and it also features the Rakvere Cultural Center. Formerly a classical farmstead, it was converted to a theatre in 1940 with the addition of a new building. Although, the manor and the theatre are made in completely different styles (the theatre itself is impregnated with the spirit of functionalism), they look surprisingly harmonious. Behind the building a pretty landscape park with ponds can be found.
The repertoire of the theatre are 20 productions, although it is not very clear who in Rakvere works on them.
A country estate on the edge of Rakvere. The wooden manor house was built in 1864 and with interestingly carved decoration of snakes on the pediment.
Turu plats
A small square in the centre of Rakvere, and probably the most modern in Estonia. It was completely renovated in 2004, when strange yellow canopies resembling, either umbrellas or lampshades, were installed here. In 2010, the city sculpture "Young man on bicycle listening to music" was added to the umbrellas. It is dedicated to the citizen Arvo Pärt, an Estonian composer who grew up in Rakvere. Nowadays, daily at noon, his music is played by the Church of the Holy Trinity. The symbolism of all these objects is not quite clear. When resting under the umbrella, pay attention to the bank building (Turu plats 2, 1932-33) – a monument of functionalism architecture – as well as the yellow market building (Laada tn 14, 1926-28), an example of Art Deco – semicircular arches, numerous tiers with multi-sized windows and a rectangular tower were intertwined. All quite fascinating, and the building can easily be taken for the town hall or station, but not for the market, which, however, has not been here for a long time.
Tarva kuju / Wild Herbivore
It’s considered to be the largest animal statue in the Baltics. According to the legend, there was an ox once in the world the size of the distance between Tartu and Rakvere, which destroyed everything in its way. One day it was killed, and his head fell down in Rakvere. So, the city began to be called Tarbapea (bull's head), and the rest fell to Tartu, called Tarbatu (bull). The attitude of the Tartu inhabitants to this legend is cautiously silent.