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Homage to the sons of the "Rising Sun", who settled there dedicating themselves to agriculture. Scattered around the square are 30 cherry trees sent from Japan by the Nipponese empire and artificial lakes Japanese style. In 1993 the Japanese Portal, the Culture House and the Tea House were built.
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The Street that never sleeps is the synthesis of a city which also never sleeps. It is 120 meters long and 12 meters wide. It is composed by 32 arches in metallic tubular structure, trademark of the modern curitibana architecture. There are 34 shops that are open eternally, from the daybreak sandwich to the bank withdrawal; from the pharmacy to the florist; from books to milk for the children. Great meeting point for tourists and curitibanos seeking leisure, pastimes, night life and good eating options. At 24 Horas street it also possible to have free Internet access, day and night. The user just has to schedule a time.
Pays homage to the 3,000 years of Jerusalem. The construction in concrete and masonry has a height of 14.5 meters and was designed by the architect Fernando Canalli. At the top there are three bronze angels, of approximately 600 kilos each, sculpted by the artist Lys Áurea Buzzi, representing the three main monotheistic religions in the world, who believe in the existence of angels and for which Jerusalem is a sacred city: Christianity, Judaism and Islam.
Pays homage to the couple and country music duo Nhô Belarmino e Nhá Gabriela. With drawings from Fernando Canalli, it has columns with rods, which frame tiled pictures showing the verses of the song "Mocinhas da Cidade", immortalized by the duo and recorded for the first time at the beginning of the 1950s.
The main square in Curitiba and also its birthplace. On the north end of this square, lies Basilica Cathedral Minor of Our Lady of Light, centennial in 1993. Anciently known as Largo da Matriz, the square is the city's initial landmark. In 1880, because of the emperor D. Pedro II visit to Paraná, the Square became known as D. Pedro II. Nine years later, at the Republic, it has received the current name of Tiradentes Square. It is an important public transport terminal. It is a permanent meeting point, bringing fond memories to the common curitibano memory.
A space surrounded by fables. The ruins are made of stone, of what should have been the São Francisco de Paula church, never finished. In 1811 the chapel and the sacristy were finished, but in 1860 the stones that would finish the construction were used to finish the old Matriz tower, now the Basilica Cathedral Minor of Our Lady of Light. Stories of tunnels and pirates live in the place, today filled with leisure and business spaces, stage and grandstand, forming the "Ruins' Arcades".
Authored by Ricardo Tod, the horse head in bronze characterizing the fountain pays homage to the old immigrant colonists, who with their carts would come from their small farms at the city's outskirts to sell their agricultural products at the center.