Photo: Paul Hermans, CC BY-SA 3.0 via Wikimedia Commons
A monument central in the Laken Park, dedicated to King Leopold I. It stands 50 m tall, symbolizing the 50 year independence of Belgium in 1880. The monument was designed by architect Louis De Curte in a neo-Gothic style, and built between 1878 and 1881. Due to delays in construction, it was not finished in time for the jubilee celebrations for 50 years independence. The monument consists of a gallery with 9 bays, one for each of the 9 former Belgian provinces, with a sculpture of King Leopold I by artist Willem Geefs in its centre. The 50 m tall structure is topped with a gilded crown. Above each of the statues representing the Belgian provinces, a lion (one of the icons of Belgium) holds an escutcheon of the corresponding province. The statues are made by various sculptors, including Thomas Vincotte, Charles Vander Stappen, Adolphe Fassin, Antoine-Joseph Van Rasbourgh, and Charles Brunin. Its isolated location has made the monument a target of vandalism, and it is now surrounded by a fence.
© OpenStreetMap contributors
Parc de Laeken/Park van Laken
One of the most beautiful parks of Brussels, dating from the 19th century as an initiative of King Leopold II. It was the kings vision to realize a large public park close to his residence in Laken. He privately purchased the land in 1876 and officially transferred ownership to the Belgian State for the construction of the park. The park was designed by German architect Edouard Keilig, who also designed the better known Ter Kameren Park. Construction took place from 1876 to 1880, in time for festivities for the 50th anniversary of the Belgian nation. It remained a park throughout its history, with the exception of the World's Fair of 1958 when parts of it were claimed for the Fair: several pavilions were built, and the avenues traversing the park were widened. The American theater is the best known remnant of the World Fair in the park. Next to the park is the Belvedere Castle which belongs to the royal family, and is rumored to be inhabited by ghosts.
Serres Royales/Koningklijke Serres
The Roal Greenhouses are a vast complex of monumental heated greenhouses in the park of the Royal Castle, containting a variety of tropical, sub tropical and temperate plants and trees. The history of the greenhouses dates back to the 18th century, when King Leopold II changed the layout of the surrounding garden and commissioned architect Alphonse Balat to design a series of greenhouses. Starting in 1874, the construction of the greenhouses took over 20 years and was finalized in 1895 with the erection of the Iron Church, a domed greenhouse which would serve as the royal chapel. The largest greenhouse, the dome-shaped Winter Garden, has a diameter of 60 m and a height of 30 m, designed in an Art Nouveau style with iron and glass as construction materials. With a floor surface of 25 000 m², the numerous greenhouses are connected with glass covered galleries and locks to retain temperature differences appropriate for the vegetation. Over 800 m³ of oil is burned each year to maintain the temperature. The botanical collection includes numerous species from Africa, although many cultivars have been lost since the death of King Leopold II. The camellias collection in particular, with over 1000 plants, is the world's oldest and largest collection in a greenhouse. The complex can only be visited by the public during a two-week period in April-May when most flowers are in full bloom, as dictated by Leopold II and followed as a tradition by all kings thereafter.
Fontaine de Neptune/Neptunusfontain
Monumental fountain depicting Neptune, commissioned by King Leopold II and installed in 1905 near the Royal Domain of Laken. It had been out of service since 1965, until it was restored in 2017 after 60 years of being neglected. The marble and bronze statues have been restored to their former glory. Interestingly, the fountain is an exact copy of the 400 years old Neptune fountain at the Piazza del Nettuno in Bologna, which was restored at the same time.
Pavillon Chinois/Chinees Paviljoen
As of 2022, this is closed for renovation. Work on the pavilion started in 1905, shortly after completion of the Japanese pagoda. The interior of the pavilion was designed as a restaurant, but never used for this purpose. After King Leopold II's death in 1909, the plan for a museum was abandoned, and the building was donated to the Belgian State where it served as part of the Trade Museum of the Ministry of Foreign Affairs. The decoration centers around European elements mixed with Chinese oriental architecture. On display are an extensive overview of Chinese ceramics, historically exported to Europe in the 17th and 18th century to decorate the living rooms of kings and nobility. The pavilion is in the Chinese Garden.
Musée d'Art Japonais/Museum voor Japanse Kunst
The museum building was designed as covered garage and parking for carriages and the first cars, but later converted into the present day museum. It hosts a rich collection of traditional Japanese art, primarily dating from the Edo period (1600-1868). The collection features room screens, kimono, samurai armor and weapons, sword ornaments and hilts, lacquery and inro (storage boxes for jewelry), and netsuke (belt buttons). Some of the Japanese prints are world class, and only on display in alternating series for conservational reasons.
Tour Japonaise/Japanse Toren
The bright red tower in oriental style stands nearly 50 m tall and hosts Japanese art from before export to the West became common. It features Imari porcelain from the 17th and 18th century, as well as 19th century lacquery, bronze vases, ivory objects and other assorted ornamental items. The exceptional blue-white vase at the entrance was donated in 1910 to the Belgian government by the Japanese emperor. The tower is the center of a replicated Japanese garden. It was known as a Tō, a Japanese pagoda, of which construction started in 1901 until its inauguration in 1905.