Musikverein

Considered one of the world's best orchestras, subscription tickets are notoriously difficult to get with a waiting list lasting up to 13 years. Individual tickets however are available in limited numbers online from the Musikverein (where performances take place) and at the ticket office.

Austria's biggest boulder hall is in the town center. One finds tons of boulder problems to solve. They offer courses for beginners and advanced. Can get crowded on after business hours.

This is a relatively new and special museum devoted to an interactive learning experience. It covers the history of the Vienne Philharmonic Orchestra, the history of Vienna as a centre of music making (Mozart, Haydn, Beethoven, Mahler, Schubert and others are documented). In addition there are the more experimental sections of futuristic composition (the Brain Opera) and sound experiences.

Probably the most-beloved symbol of Viennese arts, and one of the first buildings to be rebuilt in the postwar era. It was built from 1861-1869 under the direction of architects Eduard van der Nüll and August von Siccardsburg for then-emperor Franz Josef I. The first performance was Don Giovanni, an opera by Austrian native Mozart, on 25 May 1869. The architecture of the opera was barely tolerated by the picky Viennese when it opened. Van der Nüll did not take these criticisms of his work lightly and committed suicide. A few weeks later, von Siccardsburg died of a heart attack. Doubly cursed, the opera building succumbed to bombs less than 100 years later, during World War II. After ten years of Allied control after the end of the war, many cultural institutions reopened to celebrate the birth of the new Austrian state. This time the opera opened with an adopted son of Vienna's work: Beethoven's Fidelio. The lush curtains and overall elegance contribute to the atmosphere (even the nosebleed seats, so steeply pitched and close to the ceiling a nosebleed becomes a distinct possibility). Inexpensive standing room tickets are made available for every performance and sold the day of the performance. The line forms about two hours prior to the performance. Guided tours in a number of languages are offered. The line at the front side door forms about 1/2 hour before the tour.

The casino is at Palais Esterhàzy, on the famous Kärtner Strasse near the Opera and is operated by state-owned Casinos Austria. In addition there are several poker casinos (e.g. Montesino) and many, many tiny slot-machine and betting places. The latter often occur in groups of three (because there is a legal limit on the number of slot machines per venue). They do not offer any glamor or flair and are best avoided by tourists.

Architect Josef Maria Olbrich built this Jugendstil (German-style Art Nouveau) building 1897-98 as a display space for artists working in the new Secession artistic movement. It is topped by a giant, frothy golden ball, lovingly called Krauthappel by the Viennese, but the building was definitely not loved when it first opened. Notice a reactionary Viennese pattern here? The opera building too was hated at first, but at least it was not called a "temple for bullfrogs" or "a bastard begot of temple and warehouse" as this building was. The entryway features the motto of the Secessionist movement: Der Zeit ihre Kunst, der Kunst ihre Freiheit (to the time, its art, to the art, its freedom). Olbrich's mentor Otto Wagner, and also Gustav Klimt, whose astounding Beethoven Frieze is partially preserved in the basement, inspired the building's design. The ceremonial front entrance is separate from the functional glass and steel exhibit hall in back.