Gemäldegalerie der Akademie der bildenden Künste

Architect Josef Maria Olbrich built this Jugendstil (German-style Art Nouveau) building 1897-98 as a display space for artists working in the new Secession artistic movement. It is topped by a giant, frothy golden ball, lovingly called Krauthappel by the Viennese, but the building was definitely not loved when it first opened. Notice a reactionary Viennese pattern here? The opera building too was hated at first, but at least it was not called a "temple for bullfrogs" or "a bastard begot of temple and warehouse" as this building was. The entryway features the motto of the Secessionist movement: Der Zeit ihre Kunst, der Kunst ihre Freiheit (to the time, its art, to the art, its freedom). Olbrich's mentor Otto Wagner, and also Gustav Klimt, whose astounding Beethoven Frieze is partially preserved in the basement, inspired the building's design. The ceremonial front entrance is separate from the functional glass and steel exhibit hall in back.

A classic 1970s theatre which hosts international films. They regularly play The Third Man movie.

It has the form of an English garden, and is directly adjacent to the Hofburg. It has a statue of Wolfgang Amadeus Mozart. In the summertime students like to hang out in middle of the trees.

Probably the most-beloved symbol of Viennese arts, and one of the first buildings to be rebuilt in the postwar era. It was built from 1861-1869 under the direction of architects Eduard van der Nüll and August von Siccardsburg for then-emperor Franz Josef I. The first performance was Don Giovanni, an opera by Austrian native Mozart, on 25 May 1869. The architecture of the opera was barely tolerated by the picky Viennese when it opened. Van der Nüll did not take these criticisms of his work lightly and committed suicide. A few weeks later, von Siccardsburg died of a heart attack. Doubly cursed, the opera building succumbed to bombs less than 100 years later, during World War II. After ten years of Allied control after the end of the war, many cultural institutions reopened to celebrate the birth of the new Austrian state. This time the opera opened with an adopted son of Vienna's work: Beethoven's Fidelio. The lush curtains and overall elegance contribute to the atmosphere (even the nosebleed seats, so steeply pitched and close to the ceiling a nosebleed becomes a distinct possibility). Inexpensive standing room tickets are made available for every performance and sold the day of the performance. The line forms about two hours prior to the performance. Guided tours in a number of languages are offered. The line at the front side door forms about 1/2 hour before the tour.

One of the world's greatest art museums and in a palace that is a work of art itself. Serious art fans may wish to devote more than a day to its treasures. There is no other word to describe the Kunst other than mind-boggling. It contains a world-class exhibit of the Habsburgs' art collection, including Raphael, Titian, Caravaggio, Bosch, and Brueghel. The museum has an excellent collection of ancient Egyptian, Greek, and Roman art. The coin & medals collection is also exhaustive in its scope. The museum cafe is a bit pricey, but good, and in a beautiful setting. Hand-held photography is permitted.

The House of Austrian History is a modern museum located in the Hofburg complex that explores Austria’s history from the late 19th century to the present. Through multimedia exhibits and historical artefacts, it focuses on key events such as the end of the Habsburg monarchy, the World Wars, and the development of the modern Austrian state.