Albertina

A cinema for showing specially curated films and retrospective.

Housed in the Baroque Lobkowitz Palace, this museum displays stage models, costumes, and props, with special temporary exhibits.

Yet another example of the gruesome divide-and-conquer burial strategy of the Habsburg dynasty. It is said that other dynasties waged countless wars to acquire new lands, but "you, happy Austria, marry". Even in death, the Habsburgs placated three different churches with the honor of caring for their remains. The best known, the Kapuzinergruft, contains their actual bodies. St Stephens holds their innards (intestines and other parts taken out during the preservation process). But the Augustinerkirche holds, in the Herzgruft (Heart Crypt), all the Habsburgs' hearts. The tradition began in 1627 with Emperor Ferdinand IV, who wanted to "lay his heart at the feet of the Mother of God", literally. His heart, and those of his descendants, are preserved in silver jars which are carefully cared for by the Augustinian friars who run the church. When the renovation was underway it was found that the preservative in some of the caskets had evaporated over the years, leaving nothing but a dried-out, mummified heart.

A tropical greenhouse with an amazing collection of live butterflies, will delight both children and adults.

Underneath the Kapuzinerkirche, this mausoleum houses the tombs of generations of Habsburg royalty.

Probably the most-beloved symbol of Viennese arts, and one of the first buildings to be rebuilt in the postwar era. It was built from 1861-1869 under the direction of architects Eduard van der Nüll and August von Siccardsburg for then-emperor Franz Josef I. The first performance was Don Giovanni, an opera by Austrian native Mozart, on 25 May 1869. The architecture of the opera was barely tolerated by the picky Viennese when it opened. Van der Nüll did not take these criticisms of his work lightly and committed suicide. A few weeks later, von Siccardsburg died of a heart attack. Doubly cursed, the opera building succumbed to bombs less than 100 years later, during World War II. After ten years of Allied control after the end of the war, many cultural institutions reopened to celebrate the birth of the new Austrian state. This time the opera opened with an adopted son of Vienna's work: Beethoven's Fidelio. The lush curtains and overall elegance contribute to the atmosphere (even the nosebleed seats, so steeply pitched and close to the ceiling a nosebleed becomes a distinct possibility). Inexpensive standing room tickets are made available for every performance and sold the day of the performance. The line forms about two hours prior to the performance. Guided tours in a number of languages are offered. The line at the front side door forms about 1/2 hour before the tour.